Krediti za predstavo
Pretekle predstave 2012 — Včeraj
María de Buenos Aires (Maria de Buenos Aires), Piazzolla
Warszawska Opera KameralnaLa Voz de un Payador (The voice of a payador) + 1 vlog
Oglejte si igralce in ekipoDie lustige Witwe (The Merry Widow), Lehár
Opera PodlaskaCamille de Rosillon (Camille of Rosillon)
Oglejte si igralce in ekipoThe Secret Requiem / Requiem in D minor, Various
Opera ŚląskaAssistant Director
Oglejte si igralce in ekipoMaría de Buenos Aires (Maria de Buenos Aires), Piazzolla
Warszawska Opera KameralnaLa Voz de un Payador (The voice of a payador) + 1 vlog
Oglejte si igralce in ekipoDie lustige Witwe (The Merry Widow), Lehár
Opera PodlaskaCamille de Rosillon (Camille of Rosillon)
Oglejte si igralce in ekipoPredstavljeni pretekli nastopi
María de Buenos Aires (Maria de Buenos Aires), Piazzolla
Warszawska Opera KameralnaLa Voz de un Payador (The voice of a payador) + 1 vlog
Oglejte si igralce in ekipo
Die lustige Witwe (The Merry Widow), Lehár
Opera PodlaskaCamille de Rosillon (Camille of Rosillon)
Oglejte si igralce in ekipo
The Secret Requiem / Requiem in D minor, Various
Opera ŚląskaAssistant Director
Oglejte si igralce in ekipo
María de Buenos Aires (Maria de Buenos Aires), Piazzolla
Warszawska Opera KameralnaLa Voz de un Payador (The voice of a payador) + 1 vlog
Oglejte si igralce in ekipo
Predstavljeni videoposnetki nastopov
4
Biografija
He graduated from the "Paderewski Music Academy" in Poznań, in the class of prof. Ryszard Karczykowski. Since his debut in 2009 as Laerte in the opera A. Thomas "Hamlet" with the Poznan Opera House he began cooperation with several theaters in Poland, Europe and Russia, i.a. National Opera in Warsaw, Poznan Opera House, Silesian Opera House, Castle Opera House in Szczecin, Baltic Opera House in Gdańsk, Theater Vorpommern (Stralsund, Greifswald, Germany), Comedy Theater and Chamber Opera House in St. Petersburg (St. Petersburg, Russia), UNESCO (Paris, France ), NOSPR (Katowice, Poland) The repertoire which he sang during his career, were mainly lyric tenor parts such as "L'elisir D'amore" (Nemorino), "La Traviata" (Alfredo), "Die Zauberflote" (Tamino), "The Turn of the Screw "(Peter Quint)
