Tenor

Hugh Francis

Artist

Approved

2014

Individual contributor id

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Clarinetist

Flautist

Percussionist

Guitarist

hornist

Oboist

Organist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Accordionist

Harpsichordist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Cornettist

Baroque Trumpetist

Viola da gamba

Theorbist

Violino Piccolo Player

Musette de cour Player

Viola Pomposa Player

Archlutenist

Continuo

Vibraphonist

Viola d’amore Player

Synthesist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video

Dramaturge

Translator

Sound designer

Répétiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Chorus

Orchestra

Vocal coach

Poet

Teacher

Photographer

Broadcasting

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Baritone

Singer

Bass-baritone

Countertenor

Contralto

Soprano

Bass

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Bryn Terfel as Scarpia performing 'Te Deum' from Act I of Jonathan Kent's production of Tosca (2011). The Royal Opera.

Find out more at http://www.roh.org.uk/productions/tos...


Find out more: http://www.roh.org.uk/about/bp-big-sc...


From its famous, dissonant opening chords, Tosca conjures up a world of political instability and menace. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias. Giacomo Puccini’s dramatic work was an instant hit with audiences on its 1900 premiere and it remains one of the most performed of all operas.

A candle-lit church, the darkness of a brooding study with its hidden torture chamber and the false optimism of a Roman dawn: Jonathan Kent’s naturalistic production throws into relief the ruthlessly taut drama, as the tension is wound up towards its fateful conclusion. Puccini’s score is infused with the same authentic detail, from distant canon fire during the Act I ‘Te Deum’ to tolling church bells and the sounds of a firing squad.

Tosca - Te Deum (Bryn Terfel, The Royal Opera)

Tosca

Spoletta

Hugh Francis

Uznanie za predstavenie

Odporúčané videá

Preskúmajte viac o Hugh Francis