Jana Kurucová / Ressenyes

Mozart enjoyed great success in Prague. Don Giovanni was commissioned after Le nozze di Figaro had proved such a huge hit at the Nostitz in January 1787 (a bigger hit than in Vienna) and his final opera La clemenza di Tito premiered at the theatre in 1791, months before the composer’s untimely death. The Estates is tiny, seating just 635 (closer to 800 in Mozart’s day) and from the brief glimpses at the start of the stream one realises what an intimate experience it must be watching opera there. If the theatre looks familiar, that could be because Miloš Forman shot scenes there for his Oscar-winning film Amadeus.

Ein echtes Highlight waren die beiden Arien des Don Ottavio, die Pavel Petrov ungemein nuancenreich und spannend mit weich dahinströmender Stimme gestaltete.