Kyle Stegall / Ressenyes

Outstanding and delightful... a useful reminder of the operatic riches that remain yet uncovered beyond the constant revivals of Traviata and Bohème

The breadth of Bay Area musical talent was on full display here and the diversity of sound was impressive

Roesner’s Doristo gives not only his splendid resonant voice to the plethora of female sound but its weight. And we welcome it. Round and luxuriant, from opening scene [...] to Finale, [...] Not a drop of unnecessary chastity, even in idea, here.

In any case, the role of Doristo was robustly sung by German bass-baritone Malte Roesner. His deep, dark voice was powerful.