Sea Air from Previn's A Streetcar Named Desire
Uznanie za predstavenie
Nadchádzajúce predstavenia Dnes ďalej
Minulé vystúpenia 2016 – včera
Erwartung / Le Rossignol, Schoenberg, ArnoldStravinsky
West Edge OperaEine Frau (Sopran)
Pozrite si program, herecké obsadenie a štábErwartung / Le Rossignol, Schoenberg, ArnoldStravinsky
West Edge OperaEine Frau (Sopran)
Pozrite si program, herecké obsadenie a štábThe Nightingale/Erwartung, StravinskySchoenberg, Arnold
West Edge FestivalEine Frau (Sopran)
Pozrite si program, herecké obsadenie a štábMaddalena, StravinskyProkofiev
Berkeley Chamber OperaMaddalena
Pozrite si program, herecké obsadenie a štábOdporúčané minulé vystúpenia
Erwartung / Le Rossignol, Schoenberg, ArnoldStravinsky
West Edge OperaEine Frau (Sopran)
Pozrite si program, herecké obsadenie a štáb
Erwartung / Le Rossignol, Schoenberg, ArnoldStravinsky
West Edge OperaEine Frau (Sopran)
Pozrite si program, herecké obsadenie a štáb
The Nightingale/Erwartung, StravinskySchoenberg, Arnold
West Edge FestivalEine Frau (Sopran)
Pozrite si program, herecké obsadenie a štáb
Maddalena, StravinskyProkofiev
Berkeley Chamber OperaMaddalena
Pozrite si program, herecké obsadenie a štáb
Hänsel und Gretel (Hansel and Gretel), Humperdinck
San Francisco OperaGertrud (Gertrude)
Pozrite si hercov a štábNadchádzajúce predstavenia
3The Legend of the Ring, Wagner, Richard
West Edge OperaFreia/Sieglinde
Pozrite si hercov a štábŽivotopis
A 2023 Sullivan Foundation Career Grant recipient, Soprano Mary Evelyn Hangley is a graduate of San Francisco Opera’s prestigious Adler Fellowship, where she covered numerous leading roles, including the title role of Rusalka, Contessa Almaviva in Le nozze di Figaro, as well as Micaëla in Carmen. She made her San Francisco Opera debut as the Mother in Hansel and Gretel, which she was praised for "...[showing] confidence and vocal security in her unexpected San Francisco Opera debut, which proceeded flawlessly.” In 2023, Mary Evelyn saw a triumphant debut as A Woman in Schoenberg’s masterpiece Erwartung with West Edge Opera, for which The San Francisco Chronicle praised her “incendiary brilliance” and “[her] singing, moreover — bright, luxuriant and fearlessly on point — was a marvel.” Ca
