Stage director (+1)

Stage director, Choreographer

Michael Barry

Stage director

Choreographer

Artist

Approved

2023

2022

2019

2018

2017

2016

2010

2008

2007

Individual contributor id

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Clarinettist

Flautist

Hornist

Double Bass Player

Oboist

Organist

Bassoonist

Trumpetist

Percussionist

Guitarist

Harpist

Trombonist

Saxophonist

Harpsichordist

Accordionist

Tuba Player

Bassist

Recorder Player

Timpani

Lutenist

Chorus

Bandoneón Player

Harmonium Player

Mandolinist

Theorbist

Baroque Flutist

Vibraphonist

Ondes Martenot Player

Cornett

Tenor Violinist

Tabla Player

Oud player

Baroque Oboist

Concertmaster

Pipa Player

Sitar Player

Baroque Trumpetist

Archlutenist

Violino Piccolo Player

Chalumeau Player

Electric Bass Guitarist

Bayan Player

Pan Flute Player

Guzheng Player

Euphonium Player

Bass Clarinettist

Musette de cour Player

Viola Pomposa Player

Mridangam Player

Bagpipe Player

Whistle Player

Cuatro Player

Kamancha Player

Lyre Player

Baroque Cellist

Continuo

Sheng Player

Viola d’amore Player

Hurdy-gurdy Player

Dulcian Player

Carillonist

Claves Player

Handpan Player

Tar Player

Birbynė Player

Bombard Player

Didgeridoo Player

Dizi Player

Helicon Player

Ney Player

Shofar Player

Sousaphone Player

Tárogató Player

Bağlama Player

Citole Player

Haegeum Player

Kantele Player

Kora Player

Morin Khuur Player

Qanun Player

Santoor Player

Sarangi Player

Tanpura Player

Accompanist

Synthesizer Player

Basset-horn player

Gayageum Player

Suona Player

Composer

Conductor

Librettist

Set designer

Costume designer

Dancer

Actor

Lighting designer

Chorus master

Music arranger

Video

Dramaturge

Sound designer

Translator

Répétiteur

Makeup artist

Executive producer

Musical Theater performer

Stage manager

Stage combat master

Hairstylist

Narrator

Other

Wigs designer

Puppeteer

Musical director

Stage technician

Writer

Vocal coach

Photographer

Illustrator

Teacher

Ballet master

Surtitler

Orchestra

Film director

Playwright

Electronics

Broadcaster

Lyricist

Chorus Director

Executive Production

Agent

Orchestra Operations

Grip

Properties and Scenic Design Director

Stage & Production Manager

Extra

Stage musical director

Artistic Planning & Administration

Countertenor

Singer

Bass

Soprano

Mezzo-soprano

Tenor

Baritone

Contralto

Bass-baritone

Child vocalist

Spoken

Silent

Alto

Poet

Antonio Pappano conducts a new production of Verdi’s thrilling Shakespeare-inspired opera directed by Keith Warner, starring Jonas Kaufmann and Gregory Kunde...

Otello Verdi

Jonas Kaufmann, Antonio Pappano, Maria Agresta and other members of The Royal Opera on what makes Verdi's Otello one of all opera's greatest challenges. Find out more at http://www.roh.org.uk/otello

Otello is Verdi’s final tragedy. After astonishing productivity in his early career, the composer slowed in later life; more than fifteen years separate Otello and its predecessor, Aida, although Verdi revised his earlier works Simon Boccanegra and Don Carlo in the interim. He was lured out of retirement by the composer and librettist Arrigo Boito, who tempted him with a proposal that was very close to Verdi’s heart: Shakespeare’s Othello. Boito adapted the libretto from Shakespeare’s play, with much intervention from Verdi. As the latest utterance from the master of Italian opera, the 1887 premiere was an instant success – but, more than that, Otello has been an important part of the international opera repertory ever since.

The Italian musical landscape had changed during Verdi’s period of isolation, with many of his compatriots finding inspiration in foreign operatic innovations. Verdi responds in Otello with music that looks back to the traditional forms and structures of Italian opera, but which carries an unmistakably different dramatic thrust and fluidity, in response to Shakespeare’s text. The results are thrilling: from the violent storm that opens the opera through to Iago’s blood-chilling Credo and Otello’s increasingly desperate duets with Desdemona. Keith Warner (Wozzeck, Der Ring des Nibelungen) directs a new production of this masterpiece, The Royal Opera’s first in 30 years.

Michael Barry

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