Lighting designer

Mike Inwood

Artist

Approved

2019

2017

2016

2015

2014

Individual contributor id

include virtual contributors

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Bass

Tenor

Soprano

Countertenor

Mezzo-soprano

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

operaphila.org - In this short video, stage director Chas Rader-Shieber discusses his Curtis Opera Theatre production, and how Strauss’s beautiful opera-within-an-opera explores the collision of high art (a composer staging his new opera) with low art (a troupe of commedia actors led by Ashley Milanese as Zerbinetta).

Chas’s production takes place in the private art gallery of the richest man in Vienna, where Ariadne, abandoned on a deserted island by her lover Theseus, is joined by a certain familiar group of castaways.

Mike Inwood

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