Name: 4. Sinfoniekonzert
Start: 2023-03-29T00:00:00.000Z
End: 2023-03-29T00:00:00.000Z
Location: Meininger Theater

Organization

Conductor

Chin-Chao Lin

Instrumentalist

Fabian Pablo Müller

Saxophone

Staatstheater Meiningen

Orchestra

Meininger Hofkapelle

4. Sinfoniekonzert

Meiningen

Germany

Meininger Theater

Großes Haus

Public

Suite for Jazz Orchestra No. 2

Hot Sonata (pub.1930) (Jazz Sonata)

Divertimento

Un Américain À Paris

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Bass-baritone

Soprano

Contralto

Tenor

Mezzo-soprano

Countertenor

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

4. Sinfoniekonzert: Suite for Jazz-orchestra No. 2 (+3 More)

While “cool” is popular today, people wanted to be “hot” in the 1920s and 1930s. That also applied to music. Finally, America, poor in old traditions, had something of its own to offer: jazz. In Europe, some composers noticed that entertainment needed its place alongside the radical purification of late romanticism. They tried in various ways to integrate "hot" rhythms into their works and thus to create a first "jazz meets classic". Four such representatives can be heard in the 4th symphony concert.

It starts with Dmitri Shostakovich's Jazz Suite No. 2 from 1928. Anyone who deals with Shostakovich today knows him primarily as an abysmal, macabre observer of his time and as a critic of the regime. Few know that he also liked to devote himself to the cheerful muse. In the same year, the Czech-born Erwin Schulhoff composed his "Hot Sonata", here in an arrangement for saxophone and orchestra with the internationally active Fabian Pablo Müller. In the wild 1920s, Schulhoff was considered the enfant terrible of modernism – his death in a Bavarian concentration camp in 1942 caused him to be unjustly forgotten. With Leonard Bernstein and George Gershwin in the second part, the two most important American composers are on the program. Bernstein's 1980 Divertimento was a 100th birthday present. Birthday to his Boston Symphony Orchestra. At the end, the American Gershwin strolls through the Paris of 1938, amused and alienated.

English

Ist heute „cool“ angesagt, wollte man in den 1920er und 1930er Jahren „hot“ sein. Das galt auch in der Musik. Endlich hatte das an alter Tradition arme Amerika etwas Eigenständiges zu bieten: den Jazz. In Europa merkten einige Komponisten, dass neben der radikalen Entschlackung der Spätromantik auch die Unterhaltung ihren Platz braucht. Auf verschiedenste Weise versuchten sie, „heiße“ Rhythmen in ihre Werke zu integrieren und so ein erstes „Jazz meets Klassik“ zu kreieren. Vier solcher Vertreter kommen im 4. Sinfoniekonzert zu Gehör.

Den Anfang macht Dmitri Schostakowitschs Jazz-Suite Nr. 2 von 1928. Wer sich heute mit Schostakowitsch auseinandersetzt, kennt ihn vor allem als abgründig-makabren Beobachter seiner Zeit und Regimekritiker. Dass er sich auch gern der heiteren Muse verschrieb, wissen die Wenigsten. Im gleichen Jahr komponierte der gebürtige Tscheche Erwin Schulhoff seine „Hot-Sonate“, hier in einer Bearbeitung für Saxophon und Orchester mit dem international tätigen Fabian Pablo Müller. In den wilden 1920ern galt Schulhoff als Enfant terrible der Moderne – sein Tod in einem bayerischen KZ 1942 ließ ihn zu Unrecht in Vergessenheit geraten. Mit Leonard Bernstein und George Gershwin im zweiten Teil stehen die beiden bedeutendsten amerikanischen Komponisten auf dem Programm. Bernsteins „Divertimento“ von 1980 war ein Geschenk zum 100. Geburtstag an sein „Boston Symphony Orchstra“. Zum Abschluss schlendert der Amerikaner Gershwin amüsiert und befremdet durch das Paris von 1938.

Deutsch

4. Sinfoniekonzert by Shostakovich, Šulhov, Bernstein, Gershwin, Mie 29 Mart. 2023, De la (2023/2023), Dirijor Chin-Chao Lin, Meininger Theater, Meiningen, Germany

Creditele spectacolului (Distribuție și Echipa )

Ansamblu

Program, Despre și Sinopsis

Fotografii

Lectură în continuare

Date și locuri de spectacol

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