Name: Aida
Start: 2013-04-10T00:00:00.000Z
End: 2013-06-22T00:00:00.000Z
Location: National Theatre

Admin

Organization

Bass

Stefan Pavlović

De farao van Egypte

Mihailo Šljivić

Mezzo-soprano

Jelena Vlahović

Amneris

Nataša Jović Trivić

Dragana Del Monaco

Jadranka Jovanović

Soprano

Jasmina Trumbetaš Petrović

Aida

Ana Rupčić

Sanja Kerkez

Tenor

Janko Sinadinović

Radames

Hon Li

Dušan Plazinić

Ivan Tomašev

Ramfis

Nenad Jakovljević

Slavko Sekulić

Baritone

Miodrag D Jovanović

Amonasro

Aleksandar Stamatović

Nenad Čiča

Een boodschapper

Danilo Stošić

Ivanka Raković Krstonošić

Priesterin

Biljana Soldo

Tatjana Mitić

Marija Mitić

Dirigent

Peter Leonard

Đorđe Pavlović

Regisseur

Ognian Draganoff

Set designer

Dejan Miladinović

Miraš Vuksanović

Kostuum ontwerper

Milanka Berberović

Choreograaf

Konstantin Kostjukov

National Theatre Belgrade

Others

National Theater in Belgrade

Orchestra

Belgrade National Theatre Orchestra

Belgrado

Servië

National Theatre

Aida Verdi

Public

Private

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Componist

Librettist

Licht ontwerper

Danser

Acteur

Koor meester

Video ontwerper

Dramaturg

Vertaler

Geluidsontwerper

Répétiteur

Visagist

Uitvoerend producent

Haar stylist

Other

Stage Manager

Koor

Orkest

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Singer

contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

CELESTE AIDA!

A Synthesis of Italian Opera Romance 
Three years after Don Carlos , on July 16, 1870, Verdi wrote to a friend: "I told you I was busy. Imagine what? I'm composing an opera for Cairo! I'm not going to put her on stage: I'm afraid I'll stay down there, mummified. " However, he did not remain mummified, but on the contrary - glorified. Verdi accepted the offer of Ishmael Pasha, an Egyptian kedive, to compose a large ceremonial opera for the dedication of the new opera house in Cairo and for the opening of the Suez Canal. Archaeologist Edward Mariette Bay, known for his excavations near Memphis and Thebes, gave a summary in the form of a story. Camille di Locle, director of the Comic Opera in Paris, collaborator on the libretto by Don Carlos, dramatized the text so that, finally, Antonio Gislanconi, singer, journalist and playwright, put it in the verses of an opera libretto, with the intervention of the composer. Verdi visited Cairo and Egypt, experienced the ambience and got inspired on the spot. In four months, in an incredibly short time, in mid-November 1870, Aida 's score was completed. Decor and costumes were ordered in Paris, special "Aida-fanfares" were constructed for the great triumphal stage, the main performers were chosen, so Aida , in the new building of the Cairo Opera, was solemnly performed for the first time on December 24, 1871, with great success. That triumph was repeated at the premiere in Milan's Scala, on February 8, 1872 (thirty-two curtains!), So Aida 's winning movethrough the Italian and European opera stages was far faster than that of Verdi's previous operas (premiered at the Berlin Palace Opera on April 20, 1874, two days later at the Grand Opera in Paris, and at the end of April at the Vienna Opera). From Gislanconi, Verdi asked for a stage word, one that clearly expresses the situation, which encourages his sonic fantasy to actively express the basic human feelings and passions: joy, pain, love, hate, curse, revenge and death, to realize one musical dramaturgy, whose deepest meaning is: the representation of man in music and through music. In a tried and effective, but empty and external template of the French Grand Opera, from which Aidato a considerable extent, Verdi introduced a deeply human drama, which develops on the exciting conflicts of human passions and the tragic dichotomy between love and patriotism. A realist by his artistic method, he gives, within a romantically conceived plot, things, events and people in a concise and convincing form, in what represents their most elementary essence. In this way, Verdi's opera becomes a character opera. Despite the fact that the orchestra ceases to be just a simplified accompaniment of the melodic line and takes on drawing characters, underlining dramatic moments, evoking the mood of the landscape and the atmosphere of the stage, still, according to deep Italian tradition, the main expressive factor remains the sung melodic line. dramatic action, radiates and enriches other elements of musical-dramatic expression. Earthquake drama, Celeste Aida!

English

Aida by Verdi, za. 22 jun 2013, Van (2013/2013), Geregisseerd door Ognian Draganoff,, Dirigent Peter Leonard, Đorđe Pavlović, National Theatre, Belgrado, Servië

Voorstellingscredits (Cast & Productieteam )

Cast

Productieteam

Ensemble

Programma, Over & Synopsis

Foto's

Verder lezen

Uitvoeringsdata en -locaties

Speellocaties