Name: Alessandro
Start: 2022-09-29T00:00:00.000Z
End: 2022-10-08T00:00:00.000Z
Location: ETA-Hoffmann-Theater

Organization

Conductor

Gottfried von der Goltz

Stage director

Sibylle Broll-Pape

Set designer

Trixy Royeck

Costume designer

Choreographer

Tatiana Diara

Dramaturge

Armin Breidenbach

Singer

Daniel Seniuk

Narrator

Contralto

Julia Helena Bernhart

Cleone

Countertenor

Lara Morger

Alessandro

Christian Borrelli

Soprano

Lada Shornik

Lisaura

Natalie Beck

Lara Rieken

Rossane

Lou Denès

Ruth Häde

Tassile

Maria Eichler

Tenor

Ju-Hyeok Lee

Leonato

Timm Schuhmacher

Bass-baritone

Friedemann Gottschlich

Clito

Matthias Lika

Others

Junge Deutsche Philharmonie

ETA Hoffmann Theater Bamberg Chorus

ETA Hoffmann Theater Bamberg

italiană

Alessandro -  (Alexander)

Bamberg

Germany

ETA-Hoffmann-Theater

Grosse Bühne

Alessandro Händel

Public

Alexander

germană

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Mezzo-soprano

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Alexander der Große erhielt seinen Beinamen vor allem aufgrund der Eroberungsfeldzüge, die ihn bis nach Ägypten und an den Himalaya führten. Außer Dschingis Khan hat niemand ein derart großes Territorium erobert. Wegen seiner Leistungen und auch wegen seines schillernden Charakters ist Alexander heute immer noch ein Faszinosum. Der Makedonier, der zuerst die Vorherrschaft über Griechenland gewann, zog insgesamt zehn Jahre von Schlacht zu Schlacht, bevor er 323 v. Chr. in Babylon starb.

Die fiktive Handlung von Händels dreiaktiger Oper setzt mitten in einer solchen Schlacht ein: Alessandro hat gerade die Stadt Sirach erobert und lässt sich dafür von seinem Gefolge feiern. Darunter befinden sich auch die beiden Prinzessinnen Rossane und Lisaura. Rossane stammt aus Persien, Lisaura ist skythisch – und die beiden buhlen um die Liebe des Feldherrn. Alessandro ist zwar in Rossane verliebt, kann sich aber nicht entscheiden, ob er nicht auch Lisaura lieben soll, die wiederum von Tassile, einem indischen König, begehrt wird. Was wie eine geradezu klassische Lovestory wirkt, hat jedoch einen Beigeschmack: Alessandro ist der unantastbare Heerführer und die beiden Prinzessinnen sind seine Gefangenen.

Zudem sollen seine Gefolgsleute Alessandro als Göttersohn huldigen. Vor allem der makedonische Fürst Clito sieht das als Beleidigung der Götter, ist doch Alessandro ganz klar ein Mensch. Den folgenden Aufstand seiner Leute kann Alessandro jedoch abwenden.

Händel hat diese selten gespielte Oper für Francesca Cuzzoni und Faustina Bordoni geschrieben, zwei der berühmtesten Sopranistinnen ihrer Zeit, die die Partien der Prinzessinnen sangen. Entsprechend zahlreich und begeisternd sind die Bravourarien dieser Barockoper, die das ETA Hoffmann Theater als Koproduktion mit der Jungen Deutschen Philharmonie zeigt.

Deutsch

Alexander the Great received his nickname mainly because of the campaigns of conquest that led him to Egypt and the Himalayas. Except for Genghis Khan, nobody conquered such a large territory. Because of his achievements and also because of his dazzling character, Alexander is still fascinating today. The Macedonians, who first gained supremacy over Greece, fought from battle to battle for a total of ten years before dying in 323 BC. died in Babylon.

The fictional plot of Handel's three-act opera begins in the middle of such a battle: Alessandro has just conquered the city of Sirach and is celebrated by his entourage. Among them are the two princesses Rossane and Lisaura. Rossane comes from Persia, Lisaura is Scythian - and the two are courting for the love of the general. Although Alessandro is in love with Rossane, he cannot decide whether he should also love Lisaura, who in turn is desired by Tassile, an Indian king. What seems like a downright classic love story has an aftertaste: Alessandro is the untouchable general and the two princesses are his prisoners.

In addition, his followers should pay homage to Alessandro as the son of the gods. Above all, the Macedonian prince Clito sees this as an insult to the gods, since Alessandro is clearly a human being. However, Alessandro was able to avert the uprising of his people that followed.

Handel wrote this seldom performed opera for Francesca Cuzzoni and Faustina Bordoni, two of the most famous sopranos of their time, who sang the roles of the princesses. The bravura arias of this baroque opera, which the ETA Hoffmann Theater is showing as a co-production with the Junge Deutsche Philharmonie, are correspondingly numerous and inspiring.

English

Alexander by Händel, Vin 30 Sept. 2022, De la (2022/2022), Regizat de către Sibylle Broll-Pape,, Dirijor Gottfried von der Goltz, ETA-Hoffmann-Theater, Bamberg, Germany

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