Name: Bach And His Own Plagiarism The Sixteen; Harry Christophers Director
Start: 2024-02-11T00:00:00.000Z
End: 2024-02-11T00:00:00.000Z
Location: Wigmore Hall

Organization

Admin

Wigmore Hall

Dirigent

Harry Christophers

Others

The Sixteen

The Sixteen Orchestra

Bach And His Own Plagiarism The Sixteen; Harry Christophers Director

Londen

Verenigd Koninkrijk

Bach And His Own Plagiarism The Sixteen; Harry Christophers Director: Halt im Gedächtnis Jesum Christ, BWV 67 Bach, J. S. (+3 More)

Public

Private

Halt im Gedächtnis Jesum Christ, BWV 67

Mis in A-groot, BWV 234

Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei

Mis in G-groot BWV 236

Approved

Overview
Like many other great composers, Bach borrowed from his own earlier works. The Sixteen’s programme includes specific examples: movements from Cantatas No. 67 (written for the Sunday after Easter 1724) and 179 (1723) were recycled as the Gloria and the Quoniam of his Mass in A (1738-9); while the latter cantata also supplied material for the Kyrie and Quoniam of the G major Mass from the same series.

English

Voorstellingscredits (Cast & Productieteam )

Ensemble

Co-producent