Name: Carmen
Start: 2018-09-21T00:00:00.000Z
End: 2019-06-05T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Admin

Organization

Regisseur

Marián Chudovský

Set designer

Jozef Ciller

Kostuum ontwerper

Peter Čanecký

Choreograaf

Jozef Dolinský

Koor meester

Ladislav Kaprinay

Dirigent

Dušan Štefánek

Zanger

Mezzo-soprano

Jolana Fogasova

Carmen

Soprano

Eva Hornyáková

Micäela

Tenor

Michal Lehotský

Don José

Rafael Alvarez

Baritone

Sergej Tolstov

Escamillo

Andrea Vizvári

Frasquita

Denisa Šlepkovská

Mercédes

Jozef Kundlák

Le Remendado

Ján Ďurčo

Le Dancaïro

Roman Krško

Moralés

Bass

Ján Galla

Zuniga

Slovak National Theatre

Frans

Bratislava

Slowakije

Slovak National Theatre Historical Building

Carmen Bizet

Public

Slowaaks

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Broadcasting

Chorus Director

Componist

Danser

Dramaturg

Extra

Geluidsontwerper

Haar stylist

Illustrator

Koor

Librettist

Licht ontwerper

Orchestra Operations

Orkest

Other

Photographer

Poet

Répétiteur

Stage Manager

Teacher

Uitvoerend producent

Vertaler

Video ontwerper

Visagist

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Where is the difference between a romantic and a realistic story? As if Georges Bizet asked us this question through the opera Carmen. In addition to images of love, the work of French Romanticism presents us with a fairly ordinary life of completely ordinary people, in colors that often resemble the realistic images of brush masters, so a little tired of the ethereal language of Romanticism. So how is it? What does the story of the young officer Don José tell us, who lets himself be enchanted by the beautiful Gypsy Carmen, forgets his dear Micaël, deserts himself as an honor to his officer's honor and goes to the mountains with the smugglers alongside the dark beauty? Georges Bizet's romantic musical language is intertwined with a story that is even worryingly real. Is Don Jose's love for Carmen romantic? Certainly not - because it's not enriching love, but pure passion, which robs Don José of his soul and honor. And so a strange, provocative contrast of romantic-non-romantic story emerges, which is so extremely appealing that we keep coming back to it again and again. And it is certainly no coincidence that Bizet's Carmen evokes in us a bit of references to the best works of Italian opera realism - verism (from the word "vero" - "truth").

English

Carmen by Bizet, za. 09 mrt 2019, Van (2018/2019), Geregisseerd door Marián Chudovský,, Dirigent Dušan Štefánek, Slovak National Theatre Historical Building, Bratislava, Slowakije

Voorstellingscredits (Cast & Productieteam )

Cast

Productieteam

Programma, Over & Synopsis

Foto's

Verder lezen

Uitvoeringsdata en -locaties

Speellocaties