Name: Così fan tutte
Start: 2022-07-08T00:00:00.000Z
End: 2022-07-24T00:00:00.000Z
Location: Schlosshof

Organization

Thüringer Schlossfestspiele Sondershausen

Soprano

Galina Benevich

Fiordiligi

Conductor

Michael Helmrath

Set designer

Birte Wallbaum

Costume designer

Dramaturge

Juliane Hirschmann

Meike Hartmann

Mezzo-soprano

Sarah Alexandra Hudarew

Dorabella

Baritone

Philipp Franke

Guglielmo

Tenor

Kyounghan Seo

Ferrando

Amelie Petrich

Despina

Bass

Thomas Kohl

Don Alfonso

Orchestra

Loh-Orchester Sondershausen

italiană

Così fan tutte

Sondershausen

Germany

Schlosshof

Così fan tutte Mozart

Public

germană

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Countertenor

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

COSÌ FAN TUTTEKomische Oper von Wolfgang Amadeus MozartDramma giocoso in zwei Akten KV 588Libretto von Lorenzo da PonteIn italienischer Sprache mit deutschen...

"Così fan tutte" - "that's how everyone does it": That's what Don Alfonso, Guglielmo and Ferrando's friend, claims. He wants to prove to them that their fiancés, Fiordiligi and Dorabella, are no exception to the rule and, like all women, are unfaithful. The men in love, sure of the loyalty of their respective wives, get involved in the game in which they both disguise themselves to woo their friend's partner. Fiordiligi and Dorabella are initially steadfast, but finally, with the help of the witty Despina, Don Alfonso succeeds in finding the wrong couples. Before anything worse happens, he initiates a reconciliation. However, in the end not everything is the same as before.
What appears as a game in this »School of Lovers« (»La scuola degli amanti«), as the subtitle of this last joint opera by Mozart and his congenial librettist da Ponte puts it, is nothing less than a parable about love and its love vulnerability, about human relationships and their changes. For da Ponte's profound libretto, which refers to numerous educational traditions of his time, Mozart wrote music that expresses the emotional experience of the protagonists, their devotion and passion, their doubts and abysses in a moving way, while always maintaining an engaging lightness.

By the way: An anecdote tells that Mozart did not like the first singer of the Fiordiligi, because she had the habit of lowering her chin on low notes and lifting it on high ones. Nevertheless, Mozart emphasized this unpleasant peculiarity with a wink by incorporating rapid alternation of high and low tones in the famous “rock aria” (“Come scoglio”).

English

Così fan tutte« – »so machen es alle«: Das behauptet Don Alfonso, der Freund von Guglielmo und Ferrando. Er will ihnen beweisen, dass auch ihre Verlobten Fiordiligi und Dorabella keine Ausnahme von der Regel und wie alle Frauen untreu sind. So lassen sich die verliebten Männer, der Treue ihrer jeweiligen Frauen sicher, auf das Spiel ein, in dem sie beide verkleidet um die Partnerin des Freundes werben. Fiordiligi und Dorabella zeigen sich zunächst standhaft, doch gelingt es Don Alfonso schließlich mit Hilfe der gewitzten Despina, dass sich die falschen Paare finden. Bevor Schlimmeres geschieht, leitet er eine Versöhnung ein. Gleichwohl ist am Ende nicht alles wie zuvor.
Was in dieser »Schule der Liebenden« (»La scuola degli amanti«), wie es im Untertitel dieser letzten gemeinsamen Oper von Mozart und seinem kongenialen Librettisten da Ponte heißt, als Spiel erscheint, ist nichts weniger als eine Parabel über die Liebe und ihre Verletzbarkeit, über menschliche Beziehungen und ihre Veränderungen. Zu da Pontes tiefsinnigem Libretto, das auf zahlreiche Bildungstraditionen seiner Zeit Bezug nimmt, schrieb Mozart eine Musik, die dem seelischen Erleben der Protagonisten, ihrer Hingabe und Leidenschaft, ihren Zweifeln und Abgründen, in ergreifender Weise Ausdruck verleiht und dabei immer eine einnehmende Leichtigkeit bewahrt.

Übrigens: Eine Anekdote erzählt, dass Mozart die erste Sängerin der Fiordiligi nicht mochte, denn sie hatte die Angewohnheit, bei tiefen Noten das Kinn stark zu senken und bei hohen zu heben. Mozart strich diese ihm unangenehme Eigenart dennoch augenzwinkernd heraus, indem er für sie in der berühmten »Felsenarie« (»Come scoglio«) hohe und tiefe Töne in raschem Wechsel einbaute.

Deutsch

Così fan tutte by Mozart, Dum 10 Iul. 2022, De la (2022/2022), Dirijor Michael Helmrath, Schlosshof, Sondershausen, Germany

Creditele spectacolului (Distribuție și Echipa )

Distribuție

Echipajul

Ansamblu

Program, Despre și Sinopsis

Videoclipuri

Fotografii

Lectură în continuare

Date și locuri de spectacol

Locații