Name: Cupid and Death
Start: 2021-11-18T00:00:00.000Z
End: 2021-11-27T00:00:00.000Z
Location: Athénée Théâtre Louis-Jouvet

Organization

Singer

Perrine Devillers

Soloists

Lieselot De Wilde

Yannis François

Nicholas Merryweather

Lucile Richardot

Antonin Rondepierre

Stage director

Jos Houben

Emily Wilson

Conductor

Sébastien Daucé

Lighting designer

Christophe Schaeffer

Costume designer

Oria Puppo

Set designer

Dramaturge

Katherina Lindekens

Atelier Lyrique de Tourcoing

Athénée Théâtre Louis-Jouvet

Opéra Royal de Versailles

Opéra de Rennes

Opéra de Rouen Normandie

Théâtres de Compiègne

Orchestra

Ensemble Correspondances

anglès

Cupid and Death

Paris

France

Grande Salle

Cupid and Death Locke

Public

francès

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Tenor

Mezzo-soprano

Contralto

Baritone

Countertenor

Soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Born in the 16th century in England, the "masks", or rather masks, had the characteristics of mixing music, song, dance, theater, grandiloquent decorations... in the service of a figure of power whose qualities were praised. All elements that would later flourish in the Baroque gesture and that we find in French court performances. 'Cupid & Death' (Cupid and Death) from November 18 to 27, 2021 Musicologist Charles Arden sheds light on the links between Eros and Thanatos in music. 'Cupid & Death', a mask with five entrances, begins with an inversion: Cupid shoots his arrows at two lovers and kills them, while death stings two old men ready to die with love tips. The Ensemble Correspondances thanks Vincent Meyer for his support. With the support of the National Music Center.

Prelude 'Cupid and death' by Charles Arden

Born in the 16th century in England, the "masks", or rather masks , had the characteristics of mixing music, song, dance, theater, grandiloquent decorations... in the service of a figure of power whose qualities were praised. All elements that would later flourish in the Baroque gesture and that we find in French court performances. Cupid & Death, a mask with five entrances, begins with an inversion: Cupid shoots his arrows at two lovers and kills them, while death stings with points of love two old men ready to die. The libretto by playwright James Shirley, adapted from an Aesop fable, imagines the consequences of what love become dead and death transformed into love would generate: a capital chaos where polarities are reversed, where nature goes mad and enemies discover themselves friends…

A spirited variation of deadly love that the duo of directors Jos Houben and Emily Wilson, accustomed to discrepancies and games of bodies and objects ( La Princesse lumière , 2017), will passionately renew.

English

Cupid and Death by Locke, Dv. 26 Nov. 2021, De (2021/2021), Dirigit per Jos Houben, Emily Wilson,, Director musical Sébastien Daucé, Athénée Théâtre Louis-Jouvet, Paris, France

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Tripulació

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