Name: Der Freischütz, op. 77
Start: 2005-06-02T00:00:00.000Z
End: 2005-06-12T00:00:00.000Z
Location: Teatro Avenida

Organization

Dirigent

Guillermo Brizzio

Regisseur

Daniel Helfgot

Set designer

Gastón Joubert

Kostuum ontwerper

María Clara Beitía

Koor meester

Juan Casasbellas

Buenos Aires Lírica

Others

Coro Buenos Aires Lírica

Orchestra

Orquesta Buenos Aires Lírica

Der Freischütz, op. 77

Buenos Aires

Argentinië

Teatro Avenida

Musical direction: Guillermo Brizzio Staging: Daniel Helfgot Set design: Gastón Joubert Lighting design: Juan Inclán Costume design: María Clara Beitia Choir direction: Juan Casasbellas With Carla Filipcic Holm, Enrique Folger, Marcelo Lombardero, Gisela Barok, Ariel Cazes, Leonardo Estevez, Walter Schwarz, Sergio Carlevaris, Lucila Gandolfo. Buenos Aires Lyric Choir and orchestra.

Teatro Colón

Der Freischütz Weber

Public

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Componist

Librettist

Choreograaf

Licht ontwerper

Danser

Acteur

Video ontwerper

Dramaturg

Vertaler

Geluidsontwerper

Répétiteur

Visagist

Uitvoerend producent

Haar stylist

Other

Stage Manager

Koor

Orkest

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Bass-baritone

Singer

Tenor

Countertenor

Mezzo-soprano

Baritone

contralto

Soprano

Spoken

Child vocalist

Silent

Alto

Continuo

If BAL was born with the principle of helping to restore the lost shine to opera in Argentina, it is because its members like to take on challenges. That taste also goes through rescuing works of great importance for the history of sung theater, absent from the Buenos Aires billboard for years. For this reason we “point to” Der Freischütz (The Poacher) by Carl Maria von Weber. The idea dates back to the gestation days of what was then just a project (that is, three years ago), and today it is a happy reality. Absent from our billboards since 1969, the opera premiered at the old Teatro Colón in the 19th century, was revived at the Politeama a few years after its premiere, and returned to the Teatro de la Ópera at the beginning of the 20th century. On this last opportunity it was directed by the great Arturo Toscanini, with the intervention of great figures such as Giuseppe Borgatti and Adam Didur. All these productions were in the Italian language, under the title of Il franco cacciatore. It only premiered in its original version late in the last century at the current Teatro Colón, where it was staged for the last time in 1969. After thirty-six years of absence, we offer you the founding drama of German romantic opera (for more information, see Comment). We chat with Guillermo Brizzio, the musical director, Daniel Helfgot, responsible for the staging, and Juan Casasbellas, director of the BAL Choir where it went on stage for the last time in 1969. After thirty-six years of absence, we offer you the founding drama of German romantic opera (for more information, see Commentary). We chat with Guillermo Brizzio, the musical director, Daniel Helfgot, responsible for the staging, and Juan Casasbellas, director of the BAL Choir where it went on stage for the last time in 1969. After thirty-six years of absence, we offer you the founding drama of German romantic opera (for more information, see Commentary). We chat with Guillermo Brizzio, the musical director, Daniel Helfgot, responsible for the staging, and Juan Casasbellas, director of the BAL Choir.

English

Der Freischütz, op. 77 by Von Weber, vr. 10 jun 2005, Van (2005/2005), Geregisseerd door Daniel Helfgot,, Dirigent Guillermo Brizzio, Teatro Avenida, Buenos Aires, Argentinië

Voorstellingscredits (Cast & Productieteam )

Productieteam

Ensemble

Programma, Over & Synopsis

Foto's

Verder lezen

Uitvoeringsdata en -locaties

Speellocaties