Name: Die Fledermaus
Start: 2016-06-10T00:00:00.000Z
End: 2016-07-07T00:00:00.000Z
Location: Musiktheater im Revier

Admin

Organization

Soprano

Alfia Kamalova

Rosalinde

Tenor

Michael Dahmen

Gabriel of Eisenstein

Marie Heeschen

Adele

Hongjae Lim

Alfred

Baritone

Peter Rembold

Doctor Falke

Joachim G Maaß

Frank

Mezzo-soprano

Anke Sieloff

Prince Orlofsky

Philipp Werner

Doctor Blind

Florian Neubauer

Spoken

Ute Wieckhorst

Frosch

Sion Choi

Singer

Christian Funk

Tänzer

Cedric Sprick

Eden Berlin

Tänzerin

Conductor

Thomas Rimes

Askan Geisler

Stage director

Carsten Kirchmeier

Set designer

Jürgen Kirner

Costume designer

Choreographer

Paul Kribbe

Chorus master

Christian Jeub

Dramaturge

Juliane Schunke

Musiktheater im Revier

Die Fledermaus -  (The Bat)

Gelsenkirchen

Germany

Die Fledermaus Strauss II,J

Public

The Bat

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Lighting designer

Dancer

Actor

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

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Extra

Bass-baritone

Countertenor

Contralto

Child vocalist

Silent

Alto

Continuo

Die Fledermaus

Es geht doch nichts über ein wasserdichtes Alibi! Gabriel Eisenstein muss wegen Beamtenbeleidigung für eine Weile ins Gefängnis. Davor will Gabriel aber ohne Wissen seiner Gattin noch zügellos feiern, und was wäre ein besseres Alibi für ein ausschweifendes Fest als eine zu verbüßende Haftstrafe? Rosalinde Eisenstein kann es kaum erwarten, den Gatten zu verabschieden, denn endlich hat sie freie Bahn, um in aller Ruhe ihren Liebhaber Alfred zu empfangen. Auch das Dienstmädchen Adele braucht dringend einen freien Abend und lässt sich zur angeblichen Pflege einer kranken Tante beurlauben. So scheint allen geholfen, doch die erste Überraschung lässt nicht lange auf sich warten. Kaum dass Gabriel weg und Alfred da ist, kommt der Gefängnisdirektor Frank, um den Delinquenten abzuholen. Was hilft es – Alfred muss so tun, als sei er Gabriel und sich tränenreich von Rosalinde verabschieden. Traurig bleibt an diesem Abend sonst keiner, denn beim Maskenball des Prinzen Orlofsky treffen sich alle wieder. Gabriel als „Marquis Renard“, Rosalinde als unbekannte ungarische Gräfin und Adele als „Künstlerin“ Olga. Gabriel ist so sehr in Festlaune, dass er seine Frau nicht erkennt und sich unsterblich in die ungarische Gräfin verliebt. Als er nach durchzechter Nacht im Gefängnis erscheint, muss er feststellen, dass schon ein Delinquent seines Namens dort einsitzt.
„Die Fledermaus“, das ist Goldene Operette pur und gleichzeitig die charmanteste Enttarnung bürgerlicher Doppelmoral. Dem Walzerkönig Johann Strauß verdanken wir die unvergängliche Weisheit, dass natürlich nur der Champagner an allem Schuld ist. Gleichzeitig vereinigt „Die Fledermaus“ die schönsten Melodien des Wiener Musikgenies: Von „Oh je, oh je, wie rührt mich dies“, „Mein Herr Marquis“ bis hin zu „Klänge der Heimat“ und „Im Feuerstrom der Reben“. Kein Wunder, dass dieses Stück Musiktheater als „Königin der Operetten“ bezeichnet wird und neben dem „Zigeunerbaron“ und „Eine Nacht in Venedig“ das bekannteste Werk von Johann Strauß ist. Am MiR ist „Die Fledermaus“ in der Salonfassung von Franz Wittenbrink im Kleinen Haus zu erleben.

Deutsch

There's nothing like a watertight alibi! Gabriel Eisenstein has to go to prison for insulting officials. Before that, however, Gabriel wants to party wildly without the knowledge of his wife, and what would be a better alibi for a lavish party than a prison sentence to be served? Rosalinde Eisenstein can hardly wait to say goodbye to her husband, because she is finally free to receive her lover Alfred in peace and quiet. The maid Adele also urgently needs an evening off and takes a leave of absence to supposedly look after a sick aunt. Everyone seems to have helped, but the first surprise is not long in coming. As soon as Gabriel is gone and Alfred is there, prison warden Frank comes to pick up the delinquent. What good does it do - Alfred must pretend as if he were Gabriel and tearfully saying goodbye to Rosalinde. Nobody else remains sad that evening, because everyone meets again at Prince Orlofsky's masked ball. Gabriel as "Marquis Renard", Rosalinde as an unknown Hungarian countess and Adele as "artist" Olga. Gabriel is in such a festive mood that he doesn't recognize his wife and falls madly in love with the Hungarian countess. When he appears in prison after a night of drinking, he has to realize that a delinquent of his name is already in there. that he does not recognize his wife and falls madly in love with the Hungarian countess. When he appears in prison after a night of drinking, he has to realize that a delinquent of his name is already in there. that he does not recognize his wife and falls madly in love with the Hungarian countess. When he appears in prison after a night of drinking, he has to realize that a delinquent of his name is already in there.
"Die Fledermaus" is pure golden operetta and at the same time the most charming exposure of bourgeois double standards. We have the waltz king Johann Strauss to thank for the immortal wisdom that of course only the champagne is to blame for everything. At the same time, "Die Fledermaus" unites the most beautiful melodies of the Viennese musical genius: from "Oh dear, oh dear, how does this move me", "My Lord Marquis" to "Sounds of Homeland" and "Im Feuerstrom der Reben". No wonder that this piece of music theater is called the "queen of operettas" and is the most famous work by Johann Strauss alongside the "Gypsy Baron" and "One Night in Venice". At the MiR, "Die Fledermaus" can be experienced in the salon version by Franz Wittenbrink in the small house.

English

The Bat by Strauss II, Vin 10 Iun. 2016, De la (2016/2016), Regizat de către Carsten Kirchmeier,, Dirijor Thomas Rimes, Askan Geisler, Musiktheater im Revier, Gelsenkirchen, Germany

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