Name: Don Carlo (Italian version)
Start: 2017-05-14T00:00:00.000Z
End: 2017-05-28T00:00:00.000Z
Location: Schiller Theater

Organization

Singer

Bass

René Pape

Philip II

Tenor

Fabio Sartori

Don Carlo

Baritone

Roman Trekel

Rodrigo

Massimo Cavalletti

Mikhail Kazakov

The Grand Inquisitor

Jan Martinik

A Monk

Soprano

Lianna Haroutounian

Elisabeth of Valois

Mezzo-soprano

Marina Prudenskaya

Princess Eboli

Narine Yeghiyan

Thibault

Evelin Novak

A Voice from Heaven

Miloš Bulajić

The Count of Lerma

Royal Herald

Conductor

Massimo Zanetti

Stage director

Philipp Himmelmann

Set designer

Johannes Leiacker

Costume designer

Klaus Bruns

Lighting designer

Davy Cunningham

Chorus master

Martin Wright

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

italiană

Don Carlo (Italian version)

Berlin

Germany

Schiller Theater

Gläsernes Foyer

Don Carlo Verdi

Public

Private

germană

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Er gebietet über ein Weltreich, und ist dabei doch ein zutiefst Verunsicherter. Philipp II. von Spanien ist nicht nur von Sorge um seine Herrschaft erfüllt, sondern fühlt sich auch von seiner Gattin Elisabeth von Valois, die seinen Sohn Carlo liebt und von diesem geliebt wird, betrogen und im Stich gelassen. Und über allem liegt der bedrohliche Schatten der Inquisition. Vergebens sucht er nach Vertrauen in dieser abweisenden Welt.

Mehrfach hat sich Giuseppe Verdi einer Dramenvorlage Friedrich Schillers zugewandt, um aus ihr ein Stück lebendiges Musiktheater zu formen. Mit »Don Carlo« gelang ihm das auf besonders eindrucksvolle Weise, zunächst in Gestalt einer französischen Grand Opéra, dann im Gewand eines italienischen Melodramma. Wirkungsvolle Tableaus mit großen Chor- und Ensembleszenen stehen kammerspielartige Passagen gegenüber, vor allem in Form von psychologisch sensibel durchgearbeiteten Duetten, in denen sich die Figuren wechselseitig abtasten und belauern, aber auch ihr Innerstes offenbaren. Intrigen werden gesponnen, es wird einander belogen und getäuscht – zuweilen aber bricht auch Licht ins Dunkel, wenn Freundschaft und Liebe beschworen werden, mit bezwingender Kraft und Ehrlichkeit. Verdis universales Welten- und Familiendrama kehrt nach längerer Pause wieder auf die Bühne der Staatsoper zurück, eine Oper der großen Staatsakte wie der großen Emotionen, mit theatralischer Intensität und inspirierter Musik.

Deutsch

He commands a world empire, and yet he is deeply insecure. Philip II of Spain is not only concerned about his rule, but also feels betrayed and abandoned by his wife Elizabeth of Valois, who loves and is loved by his son Carlo. And over everything lies the menacing shadow of the Inquisition. He searches in vain for trust in this forbidding world.

Giuseppe Verdi has repeatedly turned to a drama by Friedrich Schiller in order to create a piece of lively music theater from it. With "Don Carlo" he succeeded in a particularly impressive way, first in the form of a French grand opéra, then in the guise of an Italian melodrama. Effective tableaus with large choral and ensemble scenes are contrasted with chamber play-like passages, above all in the form of duets that have been worked through in a psychologically sensitive manner, in which the characters feel and stalk each other, but also reveal their innermost being. Intrigues are spun, one another is lied to and deceived - but sometimes light breaks into the darkness when friendship and love are invoked with compelling power and honesty.

English

Don Carlo (Italian version) by Verdi, Dum 21 Mai 2017, De la (2017/2017), Regizat de către Philipp Himmelmann,, Dirijor Massimo Zanetti, Schiller Theater, Berlin, Germany

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