Name: Ein deutsches Requiem, op. 45
Start: 2022-11-04T00:00:00.000Z
End: 2022-11-04T00:00:00.000Z
Location: Müpa Budapest

Organization

Dirigent

György Vashegyi

Zanger

Soprano

Katalin Szutrély

Baritone

Nikolay Borchev

Others

Purcell Choir

Müpa Budapest

Ein deutsches Requiem, op. 45 -  (Een Duits Requiem)

Boedapest

Hongarije

Ein deutsches Requiem Brahms

Public

Een Duits Requiem

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Broadcasting

Choreograaf

Chorus Director

Componist

Danser

Dramaturg

Extra

Geluidsontwerper

Haar stylist

Illustrator

Koor

Koor meester

Kostuum ontwerper

Librettist

Licht ontwerper

Orchestra Operations

Orkest

Other

Photographer

Poet

Regisseur

Répétiteur

Set designer

Stage Manager

Teacher

Uitvoerend producent

Vertaler

Video ontwerper

Visagist

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Mezzo-soprano

Tenor

Contralto

Bass

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Brahms's German Requiem is different from other requiems. First, it more closely resembles an oratorio, as it does not make use of the text for a mass, and second, it is in German rather than Latin. And although the composer compiled the libretto from Luther's German Bible as well as from apocryphal texts, the atheism espoused by the free-thinking Brahms was practically public knowledge. "Such a great man! Such a great soul! And he believes in nothing!” his friend Antonín Dvořák once declared regretfully. Nevertheless, grief and tragedy often make believers out of unbelievers: the first sketches of the German Requiem were made in 1856, coinciding with the death of Robert Schumann, and after a long hiatus, Brahms returned to the composition in 1865, after losing his mother. Progress was a slow process, but the end result brought the composer world fame. The archaicising Begräbnisgesang (Funeral Song), composed for choir and wind instruments in 1858, is often regarded as a forerunner of the German Requiem. Analysts say this work also commemorates Schumann's death, like the Piano Concerto in D minor, and the text from Michael Weisse's songbook evokes the image of a funeral.
Joining the Concerto Budapest orchestra this time will be the Purcell Choir and soloists Katalin Szutrély and Nikolay Borchev, best known for their early music productions, and György Vashegyi, a highly influential conductor of early music in Hungary, thus guaranteeing that we will be able to get to know this esteemed Romantic oratorio from a new perspective.

English

Een Duits Requiem by Brahms, vr. 04 nov 2022, Van (2022/2022), Dirigent György Vashegyi, Müpa Budapest, Boedapest, Hongarije

Voorstellingscredits (Cast & Productieteam )

Cast

Programma, Over & Synopsis

Foto's

Verder lezen

Uitvoeringsdata en -locaties

Speellocaties