Name: Ernani
Start: 2010-07-16T00:00:00.000Z
End: 2010-07-17T00:00:00.000Z
Location: Summer Theatre

Organization

Tenor

Boiko Zvetanov

Ernani

Soprano

Linka Stoyanova

Elvira

Elena Baramova

Baritone

Ventseslav Anastasov

Don Carlo

Bass

Orlin Anastassov

Don Ruy Gomez de Silva

Conductor

Borislav Ivanov

Stage director

Kuzman Popov

Costume designer

Maria Trendafilova

Lora Marinova

Set designer

Chorus master

Malina Hubcheva

State Opera Varna

Varna

Bulgaria

Summer Theatre

Ernani Verdi

Public

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Bass-baritone

Countertenor

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

After the success of the operas Nabucco and The Lombards, Verdi's career took off.
He is already a well-known composer and is preferred by the directors of the most famous theaters in Italy and by the most renowned publishing houses. In 1843, Count Carlo Mochenigo, director of the La Fenice Theater in Venice, invited him to write a new opera for the end of the 1844 carnival.

The composer accepts and transfers many poetic and theatrical masterpieces to select a plot for his new opera. So
Mochinigo himself suggests who could write the libretto - Francesco Maria Piave, whom Verdi does not yet know. At that time the poet was a young opera director in Venice. Later Piave will became a permanent creative companion of Verdi and will work together for the next 20 years on his masterpieces: "The Two Foscari", "Macbeth", "The Corsair", "Stifelio", "Rigoletto", "La Traviata", "Simone Bocanegra" and "The Force". of destiny ”.

Hernani bears the deep imprint of Verdi's creative nature. Passion flows wildly from the beginning to the end of the score, softened here and there by a touching melancholy. Verdi did not pave a new path for Italian opera with Hernani. The maestro sows the furrow plowed by Yugo.
Both have the same tendency to contrast, the antithesis of thought and the feeling of expanding aspects of situations and characters. Hugo waved the battle flag and caused a revolution in art, leading the struggle against classicism in the name of romanticism. And this romanticism is, according to Hugo himself, "essentially liberalism in literature."

Verdi is one of the most ardent supporters of the romantic movement. He is a romantic at heart: passionate, melancholic, closed, secretive, lonely, dissatisfied with himself and everyone because of the unsatisfied desire for good. The premiere of "Hernani" took place on March 9, 1844 in "La Fenice" - Venice, exactly two years after the triumph of "Nabucco" in La Scala. The Venetians are a very picky audience. They like music very much, but the art of singers does not always satisfy them. For the next month, the opera will be staged at the San Benedetto Theater (Venice) and the audience, tired of listening to "Hernani", will once again crowd for tickets. Following are invitations for small and large theaters in Italy and abroad. Over twenty Italian theaters want to stage the opera immediately!

English

Ernani by Verdi, Dv. 16 Jul. 2010, De (2010/2010), Dirigit per Kuzman Popov,, Director musical Borislav Ivanov, Summer Theatre, Varna, Bulgaria

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