Name: Faust
Start: 2016-08-14T00:00:00.000Z
End: 2016-08-29T00:00:00.000Z
Location: Großes Festspielhaus

Admin

Organization

Singer

Tenor

Piotr Beczała

Faust

Bass

Ildar Abdrazakov

Mephistopheles

Soprano

Maria Agresta

Marguerite

Baritone

Alexey Markov

Valentine

Mezzo-soprano

Tara Erraught

Siebel

Paolo Rumetz

Wagner

Marie-Ange Todorovitch

Martha Schwertlein

Conductor

Alejo Pérez

Stage director

Reinhard von der Thannen

Costume designer

Set designer

Alexander Fahima

Chorus master

Walter Zeh

Choreographer

Giorgio Madia

Lighting designer

Franck Evin

Salzburger Festspiele

Orchestra

Wiener Philharmoniker

Others

Philharmonia Choir Vienna

francúzština

Salzburg

Austria

Großes Festspielhaus

Faust Gounod

Public

nemčina

angličtina

Approved

Accordionist

Instrumentalist

Archlutenist

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Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

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Saxophonist

Tenor Violinist

Timpani

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Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

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Choir

Chorus Director

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Dramaturge

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Illustrator

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Countertenor

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

A cosmopolitan lyric-dramatic talent’ – that is what Eduard Hanslick, the most influential music critic of the nineteenth century, called the composer Charles Gounod, whose life, so full of changes, began in Paris, where he was born on 17 June 1818. Encouraged from early on by his mother, a highly gifted pianist, to pursue a musical career, his initial efforts as a composer were sacred works. It was the singer Pauline Viardot who pointed him in the direction of opera and for whom he composed Sapho, his first stage work (1851). Despite a lukewarm reception by the public, Gounod was persuaded that he was called to be an opera composer, and it was his setting of Faust that established his worldwide fame.

The struggle of the eternal seeker with the powers of the cosmos were not what occupied the centre of Gounod’s interest, but rather that episode from Faust Part One that most readily lent itself to musical adaptation – specifically the ‘Gretchen tragedy’, which Goethe had already woven into his Urfaust, his very first treatment of the material, and which is based on the fate of a servant girl, Susanna Margarethe Brandt, condemned to death in 1772. That is the reason the opera was called Margarethe in the German-speaking world for a long period of time.

English

Faust by Gounod, pi 26 aug 2016, Od (2016/2016), Režírované Reinhard von der Thannen, Alexander Fahima,, Dirigent Alejo Pérez, Großes Festspielhaus, Salzburg, Austria

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