Name: Frankfurter Opern- Und Museumsorchester
Start: 2024-01-21T00:00:00.000Z
End: 2024-01-22T00:00:00.000Z
Location: Alte Oper

Organization

Conductor

Marek Janowski

Instrumentalist

Violinist

Daniel Lozakovich

Violin

Orchestra

Frankfurter Opern- und Museumsorchester

Alte Oper Frankfurt

Frankfurter Opern- Und Museumsorchester

Frankfurt am Main

Germany

Alte Oper

Großer Saal

Frankfurter Opern- Und Museumsorchester: Violin Concerto in D Major, op. 77 Brahms (+1 More)

Public

Concerto For Violin And Orchestra In D Major Op. 77

Symphony No. 3 in D Minor, WAB 103

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Singer

Bass

Bass-baritone

Soprano

Countertenor

Baritone

Tenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Introduction to the concert “in front of the museum” with Andreas Bomba at 10 a.m. in the Great Hall

“Brahms contra Bruckner” or “Brahms-Bruckner controversy” – organizers of symposia or concerts use titles like these to attract the attention of the public, even in the 21st century. The party dispute that took place in Vienna in the 19th century is still having an impact. Johannes Brahms was conservative, Anton Bruckner progressive and “new sounding”. There are said to have been applause from supporters of the two antipodes, and both composers have - demonstrably - said nothing friendly about each other. Despite all the differences in style, their music has long been part of the canon of the 19th century.
The violin concerto has been called “a symphonic colossus”, a “concert against the violin” because the solo instrument has to assert itself against a large symphonic orchestra. There is no doubt that she succeeds, otherwise the concerto would not be among the most popular in all of literature.
Bruckner leads into a new symphonic world with his third symphony. It is a reaction to his encounter with the music of Richard Wagner and is also dedicated to him. Despite this spirited departure, it was not written in one go, but was revised and shortened several times by the composer. The simultaneity of humor and cheerfulness, of sadness and pain can be experienced here, of dance floor and chorale - this is how Bruckner is quoted for his third.

English

Konzerteinführung „vor dem museum“ mit Andreas Bomba um 10.00 Uhr im Großen Saal

„Brahms contra Bruckner“ oder „Brahms-Bruckner-Kontroverse“ – mit solchen Titeln werben Veranstalter von Symposien oder Konzerten auch im 21. Jahrhundert weiter um die Aufmerksamkeit des Publikums. Der in Wien ausgetragene Parteienstreit des 19. Jahrhunderts wirkt noch immer nach. Konservativ sei Johannes Brahms gewesen, progressiv und „neutönend“ Anton Bruckner. Applausschlachten von Anhängern der zwei Antipoden soll es gegeben haben, und beide Komponisten haben – nachweislich – nichts Freundliches übereinander gesagt. Bei aller Verschiedenheit des Stils gehört ihre Musik aber längst zum Kanon des 19. Jahrhunderts.
„Ein symphonischer Koloss“ ist das Violinkonzert genannt worden, ein „Konzert gegen die Geige“, weil sich das Soloinstrument gegenüber einem großen sinfonischen Orchesterapparat zu behaupten hat. Kein Zweifel, dass ihr dies gelingt, denn sonst würde das Konzert nicht zu den beliebtesten der gesamten Literatur gehören.
In eine neue sinfonische Welt führt Bruckner mit seiner dritten Sinfonie. Sie ist eine Reaktion auf seine Begegnung mit der Musik von Richard Wagner und diesem auch gewidmet. Trotz dieses schwungvollen Aufbruchs ist sie nicht in einem Guss entstanden, sondern wurde vom Komponisten mehrfach überarbeitet und gekürzt. Die Gleichzeitigkeit von Humor und Frohsinn, von Trauer und Schmerz sei hier zu erleben, von Tanzboden und Choral – so wird Bruckner zu seiner Dritten zitiert.

Deutsch

Frankfurter Opern- Und Museumsorchester by Brahms, Bruckner, Dum 21 Ian. 2024, De la (2024/2024), Dirijor Marek Janowski, Alte Oper, Frankfurt am Main, Germany

Creditele spectacolului (Distribuție și Echipa )

Instrumentaţie

Ansamblu

Program, Despre și Sinopsis

Fotografii

Lectură în continuare

Date și locuri de spectacol

Locații