Name: Idomeneo
Start: 2022-09-28T00:00:00.000Z
End: 2022-10-20T00:00:00.000Z
Location: Metropolitan Opera House

Organization

Singer

Soprano

Ying Fang

Ilia

Stage director

Jean-Pierre Ponnelle

Costume designer

Set designer

Conductor

Manfred Honeck

Lighting designer

Gil Wechsler

Countertenor

Kate Lindsey

Idamante

Tenor

Michael Spyres

Idomeneo

Paolo Fanale

Arbace

Issachah Savage

High priest of Neptune

Mezzo-soprano

Cierra Byrd

Second Cretan woman

Federica Lombardi

Elettra

Bass

Scott Conner

The voice

Amani Cole-Felder

First Cretan woman

Manase Latu

First Trojan man

Vladyslav Buialskyi

Second Trojan man

The Metropolitan Opera

italià

New York City

United States

Metropolitan Opera House

Idomeneo Mozart

Public

anglès

alemany

espanyol

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

On stage through March 25. Tickets: http://bit.ly/2mfnVhJ

The opera that announced the young Mozart’s genius to the world returns to the Met stage, with acclaimed maestro Manfred Honeck making a notable company debut on the podium. A distinguished cast of leading Mozarteans comes together to bring the moving drama and dazzling arias to life, with tenor Michael Spyres in the title role of the ancient Cretan king, alongside mezzo-soprano Kate Lindsey as the noble prince Idamante and soprano Ying Fang as his conflicted beloved, Ilia. Soprano Albina Shagimuratova is the jealous Elettra, who loses her senses in a mad scene of virtuosic rage.

World premiere: Court Theater (now the Cuvilliés Theater), Munich, 1781. 
Like many stories from Greek myth, Idomeneo explores the motivations and emotions of humans whose fates seem beyond their own control. The opera casts these issues within the framework of the opera seria genre, a stylized format popular in the 18th century that is characterized by a succession of arias and recitatives and a cast of noble characters. Long neglected along with other works of this era, Idomeneo now holds a firm place in the repertoire as the first of Mozart’s operatic masterpieces.
 | 
Creators | 
Wolfgang Amadeus Mozart (1756–91) was the son of a Salzburg court musician who exhibited him as a musical prodigy throughout Europe. His achievements in opera, in terms of beauty, vocal challenge, and dramatic insight, remain unsurpassed. Giovanni Battista Varesco (1735–1805) was a poet and the court chaplain of the Principality of Salzburg, Mozart’s place of employment at the time of Idomeneo.
 
Setting
The opera is set on the island of Crete in the aftermath of the Trojan War. The tales of this time have provided fertile grounds for creators of opera, from Monteverdi (Il Ritorno d’Ulisse in Patria, 1640) to Berlioz (Les Troyens, 1863), to Richard Strauss (Die Ägyptische Helena, 1928), to Martin David Levy (Mourning Becomes Electra, 1967). The era is evocative, reflecting the confusion of a post-traumatic historical moment.

Music
Despite the opera’s somewhat formulaic structure, the diversity of vocal solos and ensembles in Idomeneo is astounding. Mozart offers one of the first operatic mad scenes with Elettra’s demented "D’Oreste, d’Ajace," and the Act III quartet, “Andrò, ramingo e solo,” is as insightful and sophisticated as any example in opera. The choral writing, likewise, is especially refined, with the music woven into the action in an unprecedented manner.

English

Idomeneo by Mozart, Dc. 28 Set. 2022, De (2022/2022), Dirigit per Jean-Pierre Ponnelle,, Director musical Manfred Honeck, Metropolitan Opera House, New York City, United States

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