Name: Il barbiere di Siviglia
Start: 2023-12-27T00:00:00.000Z
End: 2024-02-12T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Conductor

Rubén Sánchez-Vieco

Stage director

Rita Cosentino

Set designer

David Pizarro

Costume designer

Gabriela Hilario Casas

Lighting designer

Eduardo Bartrina

Dramaturgia

Teatro Maestranza

Real Teatro de Retiro

Singer

Baritone

Román Bordón Méndez

Figaro

Mezzo-soprano

Carmen Lazaro Alemany

Rosina

Tenor

Pepe Hannan

The Count of Almaviva

Bass

Willingerd Giménez

Doctor Bartolo

Mauro Pedrero

Don Basilio

Soprano

Adriana Vieiro

Berta

Dani Flor

Ambrogio

Repetiteur

Belén Castillo

Pianist

John Heath

Il barbiere di Siviglia -  (The Barber of Seville)

Seville

Spain

Teatro de la Maestranza

Sala Principal

Il barbiere di Siviglia Rossini

Public

Private

The Barber of Seville

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

#ópera #Rossini #ElbarberodeSevilla Las intrigas, embrollos, trapisondas y divertidos enredos de El barbero de Sevilla que G. Rossini puso en canto y música ...

Jugando con el tetris de Rossini

Las intrigas, embrollos, trapisondas y divertidos enredos de El barbero de Sevilla que G. Rossini puso en canto y música a partir del texto del genial Beaumarchais, siguen desplegando un potencial portentoso para llevar la pasión de la ópera al corazón de las audiencias más jóvenes. Todo el mundo entiende y accede al mundo dinámico y disparatado de El barbero de Sevilla, ya sea a sus capas de lectura más aparentes y superficiales o a los muchos dobles sentidos y metáforas que se esconden bajo el primer plano de su historia jocosísima.

Y seguramente eso ocurre así porque las tensiones entre las dos generaciones enfrentadas en El barbero de Sevilla, con sus diferentes deseos, ambiciones y maneras de ver el mundo, son analizadas por Rossini con un filtro de ironía que las desnuda y las vuelve más tiernas y vulnerables.

El Real Teatro de Retiro de Madrid, en un espectáculo coproducido con el Teatro de la Maestranza con dirección musical de Rubén Sánchez Vieco y escénica y dramatúrgica de Rita Cosentino, vuelve a apelar al humor y a la comicidad para contarnos, otra vez, un nuevo Barbero, que es esa clase de personaje operístico que atraviesa los siglos con una capacidad de modernidad y adaptabilidad a los cambios históricos y sociales realmente sobresaliente.

Con la participación de jóvenes cantantes del programa CRESCENDO de la Fundación Amigos del Teatro Real, y en un espectáculo concebido para todos los públicos a partir de 8 años, el Maestranza nos invita a disfrutar como niños desmontando ese tetris de inagotables aristas y posibilidades llamado El barbero de Sevilla.

español

Playing with Rossini's tetris

The intrigues, intrigues, tricks and funny entanglements of The Barber of Seville that G. Rossini put into song and music based on the text by the great Beaumarchais, continue to display a prodigious potential to bring the passion of opera to the hearts of the youngest audiences. . Everyone understands and accesses the dynamic and crazy world of The Barber of Seville , be it its most apparent and superficial layers of reading or the many double meanings and metaphors that are hidden under the foreground of its hilarious story.

And this is surely the case because the tensions between the two generations facing each other in The Barber of Seville , with their different desires, ambitions and ways of seeing the world, are analyzed by Rossini with a filter of irony that strips them naked and makes them more tender and vulnerable.

The Real Teatro de Retiro in Madrid, in a show co-produced with the Teatro de la Maestranza with musical direction by Rubén Sánchez Vieco and scenic and dramaturgical direction by Rita Cosentino, once again appeals to humor and comedy to tell us, once again, a new Barber , who is that kind of operatic character who spans the centuries with a truly outstanding capacity for modernity and adaptability to historical and social changes.

With the participation of young singers from the CRESCENDO program of the Fundación Amigos del Teatro Real, and in a show designed for all audiences from 8 years old, the Maestranza invites us to enjoy like children dismantling that tetris of inexhaustible edges and possibilities called El Seville barber .

English

The Barber of Seville by Rossini, sre. 27 dec. 2023, Od (2023/2024), Režija: Rita Cosentino,, Dirigent Rubén Sánchez-Vieco, Belén Castillo, Teatro de la Maestranza, Seville, Spain

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Koproducent

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