Name: Il barbiere di Siviglia
Start: 2017-05-06T00:00:00.000Z
End: 2017-05-25T00:00:00.000Z
Location: Schiller Theater

Admin

Organization

Singer

Tenor

Maxim Mironov

The Count of Almaviva

Bass

José Fardilha

Doctor Bartolo

Mezzo-soprano

Tara Erraught

Rosina

Grigory Shkarupa

Don Basilio

Soprano

Adriane Queiroz

Berta

Baritone

Gyula Orendt

Figaro

David Oštrek

Fiorello

Florian Eckhardt

Ambrogio

Conductor

Diego Matheuz

Stage director

Ruth Berghaus

Costume designer

Achim Freyer

Set designer

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

italiană

Il barbiere di Siviglia -  (The Barber of Seville)

Berlin

Germany

Schiller Theater

Gläsernes Foyer

Il barbiere di Siviglia Rossini

Public

The Barber of Seville

germană

engleză

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Inszenierung - Ruth Berghaus
Bühnenbild | Kostüme - Achim Freyer  

Staatskapelle Berlin
Staatsopernchor

Spieldauer 2:45 h | inklusive 1 Pause

IL BARBIERE DI SIVIGLIA - Oper von Gioachino Rossini | Staatsoper Berlin

Unter dem Decknamen Lindoro hat der wohlhabende Graf Almaviva als vermeintlicher Student das Herz der schönen Rosina erobert. Doch gedenkt Doktor Bartolo, der eifersüchtige Vormund des Mädchens, sein Mündel selbst zu ehelichen, und versucht daher, alle Verehrer von ihr fernzuhalten. Zum Glück steht »Lindoro« der gewiefte Barbier Figaro zur Seite, der – mehr oder weniger raffiniert – eine ganze Reihe von Verwicklungen und Maskeraden eingefädelt.

Mit »Il barbiere di Siviglia« schuf der erst 23-jährige Rossini innerhalb von nur drei Wochen ein geistreiches, prickelnd-feuriges und pulsierendes Meisterwerk ganz im Sinne der italienischen Opera buffa, in dem wie so oft der genarrte Alte das Nachsehen hat. Als Vorlage dazu diente ihm das Schauspiel »La Précaution inutile ou le Barbier de Séville« des französischen Dichters, Geheimagenten und Waffenschmugglers Pierre-Augustin Caron de Beaumarchais aus dem Jahr 1772, das die Vorgeschichte zu Mozarts »Le nozze di Figaro« erzählt. Rossinis humorvoll gezeichnete Charaktere, die brillanten Solopartien, mitreißenden Melodien und temporeichen Ensembles kommen in Ruth Berghaus’ zeitloser Inszenierung aus dem Jahr 1968 (mit dem genial-einfachen Bühnenbild des jungen Achim Freyer) voll zur Geltung: Sie strotzt nur so vor Lebendigkeit und Situationskomik und hat auch nach über 350 Aufführungen nichts an jugendlicher Frische und vitaler Fröhlichkeit eingebüßt.

Deutsch

Under the alias Lindoro, the wealthy Count Almaviva, supposedly a student, has conquered the heart of the beautiful Rosina. But Doctor Bartolo, the girl's jealous guardian, intends to marry his ward himself and therefore tries to keep all admirers away from her. Luckily, »Lindoro« has the shrewd barber Figaro at his side, who – more or less ingeniously – threads a whole series of complications and masquerades.

With »Il barbiere di Siviglia«, the only 23-year-old Rossini created within just three weeks a witty, sparkling, fiery and pulsating masterpiece in the spirit of Italian opera buffa, in which, as is so often the case, the fooled old man is left behind. He used the play »La Précaution inutile ou le Barbier de Séville« by the French poet, secret agent and arms smuggler Pierre-Augustin Caron de Beaumarchais from 1772 as a template, which tells the story before Mozart's »Le nozze di Figaro«. Rossini's humorously drawn characters, the brilliant solo parts, stirring melodies and fast-paced ensembles come into their own in Ruth Berghaus' timeless production from 1968 (with the ingeniously simple stage design by the young Achim Freyer):

English

The Barber of Seville by Rossini, Sâm 20 Mai 2017, De la (2017/2017), Regizat de către Ruth Berghaus,, Dirijor Diego Matheuz, Schiller Theater, Berlin, Germany

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