Organization

Osterfestspiele Baden-Baden

Pfingstfestspiele Baden-Baden

Sommerfestspiele Baden-Baden

Singer

Soprano

Sonya Yoncheva

Iolanta

Bass

Mika Kares

Rene

Tenor

Dmytro Popov

Count Vaudemont

Baritone

Andrey Zhilikhovsky

Robert

Michael Kraus

Ibn-Hakia

Contralto

Margarita Nekrasova

Marta

Anna Denisova

Brigitta

Mezzo-soprano

Victoria Karkacheva

Laura

Dmitry Ivanchey

Almeric

Nikolay Didenko

Bertrand

Soparno

Conductor

Kirill Petrenko

Orchestra

Berliner Philharmoniker

Others

Slovak Philharmonic Choir

Iolanta, op. 69 -  (Iolanta)

Baden-Baden

Germany

Festspielhaus Baden-Baden

Iolanta Tchaikovsky,P

Public

anglès

alemany

Approved

“Jolanthe” in Baden-Baden is a must: This opera is like a Fabergé egg, enchanting, priceless, conservative contradiction to the economy of the practical. Tchaikovsky's fairy tales anticipate symbolism and art nouveau. The composer's Russia also left traces in Baden-Baden, just think of the local Orthodox Church. The matt gold of its onion dome finds its musical counterpart in the master's orchestral play of colors. Otherwise, the opera had nothing to do with the outside world and should reflect the royal luxury of the Tsar's court as an item of equipment. The Russian lust for color, shimmer and abundance has historically acted as a catalyst for a different, often overlooked, luxurious modernity with Tchaikovsky as its melancholy prophet.

English

Crèdits de representació (Repartiment i equipatge )

Repartiment

Conjunt

Coproductor