Name: La finta giardiniera
Start: 2018-05-05T00:00:00.000Z
End: 2018-05-18T00:00:00.000Z
Location: Opernhaus

Organization

Conductor

Gianluca Capuano

Stage director

Tatjana Gürbaca

Set designer

Henrik Ahr

Costume designer

Barbara Drosihn

Carl-Christian Andresen

Lighting designer

Elfried Roller

Dramaturge

Fabio Dietsche

Singer

Tenor

Jonathan Abernethy

Don Anchise

Soprano

Alina Adamski

Marchioness Violante/ Sandrina

Thobela Ntshanyana

Belfiore

Natalia Tanasii

Arminda

Mezzo-soprano

Gemma Ní Bhriain

Ramiro

Opernhaus Zürich

Orchestra

Musikkollegium Winterthur

La finta giardiniera -  (The Pretend Garden-Girl, K. 196)

Zurich

Switzerland

Opernhaus

Public

The Pretend Garden-Girl, K. 196

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Countertenor

Baritone

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

La finta giardiniera Mozart

LA FINTA GIARDINIERADramma giocoso in drei Akten von Wolfgang Amadeus Mozart (1756-1791)Libretto von Giuseppe PetroselliniMusikalische Leitung_Gianluca Capua...

Trailer - La finta giardiniera - Opernhaus Zürich / Theater Winterthur

La finta giardiniera
After his first major successes with Mitridate and Lucio Silla in Italy, Mozart was commissioned at the age of 18 to compose an opera for the Munich carnival. As was usual at the time, the libretto was prescribed by the client: La finta giardinieracame from the accomplished comedy writer Giuseppe Petrosellini. From an opera buffa, the audience expected burlesque scenes of confusion and disguise, surprising moments of revelation, parodic but also emotional numbers. All this is provided by the intricate plot surrounding the gardener Sandrina, who is actually a countess and is called Violante Onesti. The premiere was a hit, and the composer reported proudly: "After each aria there was always a terrifying roar with people clapping and shouting viva maestro". But La finta giardinierawas only played three times. At that time, only a few recognized Mozart's importance as an opera composer. His refined musical art of characterization is already fully developed in this work: the melancholic Ramiro, the narcissistic Belfiore, the scheming Arminda or the aging lecher Don Anchise – Mozart dedicated their very own musical sphere to each of them. Together with the singers of the International Opera Studio, Tatjana Gürbaca will trace the emotional confusion of Mozart's protagonists. At the podium is the spirited Gianluca Capuano, who has already worked on Haydn's Orlando paladino with the Musikkollegium Winterthur and whose future as a conductor can be predicted, especially in the repertoire of the 18th century.

English

La finta giardiniera
Nach ersten grossen Erfolgen mit Mitridate und Lucio Silla in Italien erhielt Mozart als 18-Jähriger den Auftrag, eine Oper zum Karneval in München zu komponieren. Das Textbuch war, wie damals meist üblich, durch den Auftraggeber vorgeschrieben: La finta giardiniera stammte vom versierten Komödienschreiber Giuseppe Petrosellini. Von einer Opera buffa erwartete das Publikum burleske Verwechslungs- und Verkleidungsszenen, überraschende Enthüllungsmomente, parodistische, aber auch gefühlsbetonte Nummern. All das liefert die verwickelte Handlung rund um die Gärtnerin Sandrina, die eigentlich eine Gräfin ist und Violante Onesti heisst. Die Premiere gefiel, und der Komponist berichtete stolz: «Nach einer jeden Aria war alzeit ein erschröckliches getös mit glatschen, und viva Maestro schreyen». Doch La finta giardiniera wurde nur dreimal gespielt. Nur wenige erkannten damals schon Mozarts Bedeutung als Opernkomponist. Dabei ist seine raffinierte musikalische Charakterisierungskunst in diesem Werk bereits voll ausgeprägt: dem melancholischen Ramiro, dem selbstverliebten Belfiore, der intriganten Arminda oder dem alternden Lüstling Don Anchise – allen hat Mozart eine ganz eigene musikalische Sphäre zugedacht. Tatjana Gürbaca wird gemeinsam mit den Sängerinnen und Sängern des Internationalen Opernstudios den Gefühlsverwirrungen von Mozarts Protagonisten nachspüren. Am Pult steht der temperamentvolle Gianluca Capuano, der mit dem Musikkollegium Winterthur bereits Haydns Orlando paladino erarbeitet hat und dem man als Dirigent eine grosse Zukunft speziell im Repertoire des 18. Jahrhunderts voraussagen darf.

Deutsch

The Pretend Garden-Girl, K. 196 by Mozart, Mar 08 Mai 2018, De la (2018/2018), Regizat de către Tatjana Gürbaca,, Dirijor Gianluca Capuano, Opernhaus, Zurich, Switzerland

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