Name: La Traviata
Start: 2020-01-04T00:00:00.000Z
End: 2020-01-04T00:00:00.000Z
Location: Slovene National Theatre

Admin

Organization

Soprano

Irena Petkova

Flora Bervoix

Tenor

Tomaž Planinc

Giuseppe

Nina Dominko

Violetta Valery

Mezzo-soprano

Martina Ledinek

Annina

Martin Sušnik

Alfred Germont

Baritone

Luka Brajnik

George Germont

Dušan Topolovec

Gaston

Jaki Jurgec

The Baron Douphol

Bass

Sebastijan Čelofiga

The Marquis of Obigny

Marko Mandir

The doctor Grenvil

Bojan Hinteregger

Flora's Servant

Conductor

Francesco Rosa

Stage director

Hugo De Ana

Opera and Ballet of Slovene National Theatre Maribor

La Traviata -  (La traviata)

Maribor

Slovenia

Slovene National Theatre

La traviata Verdi

La traviata

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Bass-baritone

Contralto

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Although Giuseppe Verdi (1813–1901) was under severe time constraints when he composed La Traviata, he managed to create one of his most enduring works. Verdi and Piave saw in Dumas's play The Lady with the Camellias a timeless theme, attractive even for operatic setting. The love story, which revolves around the division between what is socially acceptable and the dictates of the heart, and actualizes the impotence of overcoming social differences, has found a perfect companion for the future in Verdi's characteristic musical language. The music, which echoes the light pulse of salons and ballrooms and which convincingly portrays a person's inner struggles, permeates both her intimate story and the milieu in which it takes place in the drama about an unhappy young Parisian courtesan. Therefore, it is not surprising that La Traviata is thankfully open to a variety of directorial interpretations,

The directorial composition was signed by the famous director of Argentine descent, Hugo de Ana. A director who established himself on the world's most important opera stages (he was a guest at the Rome Opera, the San Carlo Theater in Naples, the German Opera Berlin, the Royal Covent Garden Opera in London, the Opera in Lille, the Royal Theater in Madrid, the Washington Opera, Milan's Scala et al.), crowned his work with regular participation in one of the world's most prestigious opera festivals, the Verona Arena festival, for which he directed the operas Tosca (in 2006) and The Barber of Seville (2007).

The young nobleman Alfredo falls in love with the Parisian courtesan Violetta. The couple decides to live as a couple, bypassing Parisian salons and prejudices. However, the escape from the world is only apparent and short-lived. In their idyllic hideaway in the suburbs of Paris, Violetta is visited by Alfredo's father, who asks her to leave his son to save him from disgrace and allow him to regain his reputation. Violetta realizes that she cannot escape the unfortunate fate of a woman living in the shadow of Parisian high society, and therefore decides to leave Alfredo. However, the decision to fix his situation casts a fatal shadow over her young life...

English

Čeprav je bil Giuseppe Verdi (1813–1901) v hudi časovni stiski, ko je skladal Traviato, mu je uspelo ustvariti eno svojih najtrajnejših del. Verdi in Piave sta v Dumasovi drami Dama s kamelijami zagledala brezčasno tematiko, privlačno tudi za operno uglasbitev. Ljubezenska zgodba, ki se vrti okoli razklanosti med družbeno sprejemljivim in narekom srca ter aktualizira nemoč preseganja socialnih razlik, je našla v značilnem Verdijevem glasbenem jeziku popolnega sopotnika za prihodnost. Glasba, v kateri odmeva lahkotni utrip salonov in plesnih dvoran in ki prepričljivo upodablja človekove notranje stiske, je v drami o nesrečni mladi pariški kurtizani prežela tako njeno intimno zgodbo kot milje, v katerem se ta odvija. Zato ne preseneča, da je Traviata hvaležno odprta za mnogovrstne režijske interpretacije, ki se globoko dotaknejo tudi sodobnega človeka.

Režijsko postavitev je podpisal sloviti režiser argentinskega rodu, Hugo de Ana. Režiser, ki se je uveljavil na najpomembnejših svetovnih opernih odrih (bil je gost rimske Opere, gledališča San Carlo iz Neaplja, Nemške opere Berlin, Kraljeve opere Covent Garden iz Londona, Opere iz Lilla, Kraljevega gledališča iz Madrida, opere iz Washingtona, milanske Scale idr.), je svoje delo okronal z rednim sodelovanjem na enem najuglednejših svetovnih opernih festivalov, festivalu v veronski Areni, za katerega je med drugim režiral operi Tosca (leta 2006) in Seviljski brivec (2007).

Mladi plemič Alfredo se zaljubi v pariško kurtizano Violetto. Par se odloči za življenje v dvoje, mimo pariških salonov in predsodkov. Vendar je beg od sveta le navidezen in kratkega diha. V njunem idiličnem skrivališču v predmestju Pariza Violetto obišče Alfredov oče ter jo prosi, naj zapusti njegovega sina – s tem bi ga odrešila sramote in mu omogočila, da bi si povrnil ugled. Violetta spozna, da ne more ubežati nesrečni usodi ženske, ki živi v senci pariške visoke družbe, in zato se odloči, da bo zapustila Alfreda. Vendar vrže odločitev, s katero naj bi popravila njegov položaj, usodno senco na njeno mlado življenje …

slovenščina

La traviata by Verdi, so 04 jan 2020, Od (2020/2020), Režírované Hugo De Ana,, Dirigent Francesco Rosa, Slovene National Theatre, Maribor, Slovenia

Uznanie za predstavenie (Obsadenie & Tím )

Obsadenie

Program, informácie a súhrn

Fotografie

Ďalšie čítanie

Termíny a miesta vystúpení

Miesto konania