Name: La villana
Start: 2017-01-27T00:00:00.000Z
End: 2017-02-12T00:00:00.000Z
Location: Teatro de la Zarzuela

Admin

Organization

Singer

Soprano

Nicola Beller Carbone

Casilda

Maite Alberola

Milagros Martín

no casting tool

Sandra Ferrández

Baritone

Angel Odena

Peribáñez

César San Martín

Tenor

Jorge de León

Don Fadrique

Andeka Gorrotxategi

Bass

Rubén Amoretti

David

Manuel Mas

Javier Tomé

Olmedo

Ricardo Muñiz

Miguel Ángel

Conductor

Miguel A. Gomez-Martinez

Eduardo Portal

Stage director

Natalia Menéndez

Costume designer

María Araujo

Set designer

Nicolás Boni

Chorus master

Antonio Fauró

Teatro Lírico Nacional de la Zarzuela

Others

Coro del Teatro de La Zarzuela

Orchestra

Joven Orquesta y Coro de la Comunidad de Madrid

La villana

Madrid

Spain

Teatro de la Zarzuela

La villana Vives

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Mezzo-soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Zarzuela basada en el drama sobre la honra villana "Peribáñez y el Comendador de Ocaña", de Lope de Vega.
Despite the fact that it is now more than thirty years since La villana (The village girl) last “visited” the Teatro de la Zarzuela stage, through most of the twentieth century this was one of the theatre’s most iconic works. Now, for the first time this century, and after that gap of more than three decades, the work is back on these historic boards, and something that without a doubt should be seen as an event of the first magnitude is taking place. The coming together of this famous work’s three authors, the writers Federico Romero and Guillermo Fernández Shaw, and the composer Amadeo Vives, is an example of the very best of its time – as came to be evident again later with La rosa del azafrán.
La villana, as offered here, makes an unbroken aesthetic trip through the centuries, swept along by the music of Vives, in which he combines tradition, popular elements, and highly crafted melody with impressive balance. The prevalence of joy is one of the features that define his composition. And riding on the back of these luminous melodies, the visual feast on stage sits perfectly.

English

La villana by Vives, Dc. 01 Febr. 2017, De (2017/2017), Dirigit per Natalia Menéndez,, Director musical Miguel A. Gomez-Martinez, Eduardo Portal, Teatro de la Zarzuela, Madrid, Spain

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