Name: L'incoronazione di Poppea
Start: 2022-11-19T00:00:00.000Z
End: 2022-12-05T00:00:00.000Z
Location: Staatsoper Unter den Linden

Organization

Singer

Tenor

Adam Kutny

Liberto

Lucan

Florian Hoffmann

Two soldiers

Contralto

Jochen Kowalski

Octavia's Nurse

Stage director

Eva-Maria Höckmayr

Set designer

Jens Kilian

Costume designer

Julia Rösler

Lighting designer

Olaf Freese

Irene Selka

Conductor

Jean-Christophe Spinosi

Soprano

Slávka Zámečníková

Poppea

Natalia Skrycka

Octavia

Evelin Novak

Drusilla

Bass

Grigory Shkarupa

Seneca

Thomas Walker

Arnalta

Johan Krogius

Friedrich Hamel

Lictor

Countertenor

Bejun Mehta

Otho

Carlo Vistoli

Nero

Consoli

Benjamin Chamandy

Tribuno

Liubov Medvedeva

The valet

Love

Narine Yeghiyan

Fortune

Damsel

State Opera Berlin

Orchestra

Akademie für Alte Musik Berlin

italijanščina

L'incoronazione di Poppea -  (The Coronation of Poppea)

Berlin

Germany

Staatsoper Unter den Linden

L'incoronazione di Poppea

Public

Private

The Coronation of Poppea

nemščina

angleščina

Approved

Accordionist

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Archlutenist

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Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

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Contrabassist

Cornettist

Flutist

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Harper

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Hornist

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Musette de cour Player

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Pianist

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Saxophonist

Tenor Violinist

Timpani

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Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

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Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

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Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Mezzo-soprano

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Spielzeit 2017/18 | Opera musicale in einem Prolog und drei Akten (1642)Music von Claudio Monteverdi u.a.Text von Giovanni Francesco BusenelloSeason 2017/18 ...

Für seine letzte Oper griff Claudio Monteverdi 1642 erstmals auf einen Stoff mit historisch belegten Figuren zurück und schuf damit die erste »Sex-and-Crime-Story« der Operngeschichte. Wie ein Politthriller erzählt das frühbarocke Meisterwerk von Macht und Liebesleidenschaft sowie von ihren Missbrauchsmöglichkeiten.

Poppea Sabina, die schönste Frau Roms, will nichts Geringeres als die Kaiserin an der Seite von Kaiser Nerone werden. So wendet sie all ihre Verführungskraft dazu auf, Nerone zur Verstoßung seiner Ehefrau Ottavia zu überreden. Als der kaiserliche Philosoph Seneca sich dem entgegenstellt, muss er dafür mit dem Tod bezahlen. Ottavia stiftet derweil den von Poppea verschmähten und betrogenen Ottone dazu an, die machthungrige Nebenbuhlerin zu ermorden. Der Anschlag kann jedoch vereitelt werden: Ottavia wird verstoßen und Poppea ist am Ziel ihrer Pläne, Wünsche und Träume.
Monteverdi und sein Librettist Busenello demonstrieren am Ende ihrer Oper ihre durchaus bittere Weltsicht: Keiner ihrer Akteure ist frei von Makel. Letztlich lassen die Autoren diejenigen triumphieren, die am skrupellosesten handeln. Monteverdi gelingt dabei das Kunststück, seine teils karikaturhaft gezeichneten, klanglich sehr differenziert charakterisierten Figuren zwar gelegentlich humorvoll bloßzustellen, andererseits aber auch immer wieder Empathie für sie zu erzeugen. Äußerst expressiv, mit sinnlichen Melodien und kühnen Harmonien verführt seine verblüffend avantgardistische Musik dazu, mit den Ehebrechern mitzufiebern – trotz ihres skandalösen Verhaltens.

Deutsch

For his last opera, in 1642, Claudio Monteverdi used material with historically documented figures for the first time, creating the first "sex and crime story" in opera history. Like a political thriller, the early baroque masterpiece tells of power and passion for love as well as the possibilities of their abuse.

Poppea Sabina, the most beautiful woman in Rome, wants nothing less than to become the empress at Emperor Nerone's side. So she uses all her powers of seduction to persuade Nerone to cast out his wife Ottavia. When the imperial philosopher Seneca opposes this, he has to pay for it with his death. Meanwhile, Ottavia instigates Ottone, who has been spurned and betrayed by Poppea, to murder the power-hungry rival. However, the attack can be thwarted: Ottavia is expelled and Poppea has achieved the goal of her plans, wishes and dreams.
At the end of their opera, Monteverdi and his librettist Busenello demonstrate their thoroughly bitter world view: none of their actors is flawless. Ultimately, the authors allow those who act most unscrupulously to triumph. Monteverdi manages the feat of occasionally humorously exposing his characters, some of whom are drawn like caricatures and characterized by very differentiated sounds, while at the same time repeatedly creating empathy for them. Extremely expressive, with sensuous melodies and bold harmonies, his amazingly avant-garde music seduces you to root for the cheerleaders - despite their scandalous behavior.

English

The Coronation of Poppea by Monteverdi, sob. 19 nov. 2022, Od (2022/2022), Režija: Eva-Maria Höckmayr,, Dirigent Jean-Christophe Spinosi, Staatsoper Unter den Linden, Berlin, Germany

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