Name: Marie
Start: 2021-01-09T00:00:00.000Z
End: 2021-01-17T00:00:00.000Z
Location: Teatro de la Abadía

Admin

Organization

Singer

Countertenor

Xavier Sabata

Woyzeck

Jordi Domenech

Soprano

Nicola Beller Carbone

Diferentes sombras de Marie

Valentina Coladonato

Conductor

Germán Alonso

Stage director

Rafael R Villalobos

Set designer

Emanuele Sinisi

Lighting designer

Felipe Ramos

Dramaturge

Lola Blasco

Teatro Real de Madrid

Orchestra

Ensemble Proyecto OCNOS

španielčina

Marie

Madrid

Spain

Teatro de la Abadía

angličtina

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Baritone

Contralto

Tenor

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Marie, Germán Alonso / Marie, Teatro Real & Teatro de la Abadia, Photo (co) Javier del Real

Inspired by the iconic character of Woyzeck, Marie explores the difficulties of a single mother in conflict with her sexual freedom, in which she is eventually annihilated by society and murdered by her lover. If the play by Georg Büchner and his counterpart Wozzeck by Alban Berg are considered the tragedies of contemporary man, then Marie presents the tragedy of the contemporary woman. In this opera where overlapping layers dilute reality we discover our protagonist from statements made by others about her.  As though taken from trial proceedings, the librettist’s fictional creation of a character prematurely silenced, is mixed with the commentaries about Marie by the characters from Büchner. Marie is a deconstruction of that paradigm of 20th century music which is Berg’s composition. However it is also returns to opera’s origins, fusing artistic expression with the mission to be a tool of social change, a genre which intrinsically links it to Greek tragedy. This work has been made possible with a Leonardo scholarship for Research and Cultural Creators from the Fundación BBVA in 2018.

English

Marie by Alonso, G., so 16 jan 2021, Od (2021/2021), Režírované Rafael R Villalobos,, Dirigent Germán Alonso, Teatro de la Abadía, Madrid, Spain

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