Name: Mozart and Brahms
Start: 2024-08-15T00:00:00.000Z
End: 2024-08-15T00:00:00.000Z
Location: South Melbourne Town Hall

Organization

Conductor

Jen Winley

Instrumentalist

Jayson Gillham

Piano

Others

Melbourne Symphony Orchestra

Mozart and Brahms

Melbourne

Australia

South Melbourne Town Hall

Mozart and Brahms: Masques et bergamasques, op. 112 Fauré (+2 More)

Public

Masques et bergamasques, Op. 112

Concerto for Piano and Orchestra in A Major K. 414

Symphony No. 1 in C Minor, op. 68

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Mezzo-soprano

Countertenor

Bass

Tenor

Contralto

Baritone

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Conductor Jen Winley helms this concert paying tribute to artists who inspire other artists, including Mozart’s homage to his mentor J.C. Bach, performed by Jayson Gillham, and Brahms’ First Symphony, containing musical influence from his hero Beethoven.

- Fauré’s 1919 Masques et Bergamasques was originally written as theatre music, inspired by the clownish Commedia Dell’Arte troupe at the heart of Verlaine’s poem Clair de Lune. This suite of good-humoured theatricality was cheekily described by one of Fauré's contemporaries as ‘Mozart imitating Fauré’.

- Performed by Australian-British pianist Jayson Gillham, Mozart’s Piano Concerto No.12 is brimming with characteristic warmth and melody. The second movement pays homage to Johann Christian Bach – Mozart’s mentor and hero – who had died the year before.

- The opening of Brahms’s First Symphony is astonishing – it seems to have already been playing when we, the audience, intrude upon its crashing chords. In this way, it’s similar to the opening of Beethoven’s Fifth. Indeed, the influence of Beethoven is palpable in this symphony, and yet, with its buttery lyricism and boisterous momentum, its signature is thoroughly Brahms’.

English

Mozart and Brahms by Fauré, Mozart, Brahms, Dj. 15 Ag. 2024, De (2024/2024), Director musical Jen Winley, South Melbourne Town Hall, Melbourne, Australia

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