Name: Orest
Start: 2017-02-26T00:00:00.000Z
End: 2017-03-24T00:00:00.000Z
Location: Opernhaus

Admin

Organization

Baritone

Georg Nigl

Orest

Tenor

Raymond Very

Menelaos

Airam Hernández

Apollo

Dionysos

Soprano

Claire de Sévigné

Hermione

Claudia Boyle

Helena

Mezzo-soprano

Ruxandra Donose

Elektra

Conductor

Erik Nielsen

Stage director

Hans Neuenfels

Set designer

Katrin Connan

Costume designer

Andrea Schmidt-Futterer

Lighting designer

Franck Evin

Chorus master

Ernst Raffelsberger

Dramaturge

Fabio Dietsche

Opernhaus Zürich

Others

Chorzuzüger

Orchestra

Philharmonia Zürich

Statistenverein am Opernhaus Zürich

germană

Zurich

Switzerland

Opernhaus

Public

engleză

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Contralto

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Out now: Unser Trailer zu #Orest ist da! Und die nächste Vorstellung findet am Do, 2 Mär 2017 um 20.00 Uhr statt. Alle Infos & Tickets: bit.ly/OHZOrest

Trailer - Orest

Orest ist ein Spross des antiken Geschlechts der Atriden, das sich über Generationen hinweg in einen Teufelskreis von Verbrechen und Rache verstrickt hat. In seinem radikalen, 1908 uraufgeführten Einakter Elektra schilderte Richard Strauss, wie sich Orest für die Ermordung seines Vaters Agamemnon rächt, indem er seine Mutter Klytämnestra und deren Liebhaber Ägisth tötet.

Hundert Jahre später widmete sich der deutsche Komponist Manfred Trojahn der Fortsetzung dieser Geschichte: Anders als seine fanatisierte Schwester Elektra, die Gerechtigkeit um jeden Preis fordert, hadert Orest nach seiner grausamen Tat mit dem Schicksal. Er fühlt sich schuldig, obwohl er den Mordauftrag vom Gott Apollo erhielt und diesem blind Folge leistete. An Orest zeigt sich auf exemplarische Weise der Konflikt zwischen Fremd- und Selbstbestimmung, was ihn nicht nur für die Freiheitsphilosophie des 20. Jahrhunderts, sondern bis in die heutige Zeit zu einer politisch und psychologisch brisanten Figur macht. Am Ende von Trojahns Oper verweigert sich Orest dem Kreislauf des Mordens. Er begreift, dass er mit seiner Schuld leben muss, um den Zwängen der Familie zu entfliehen. Es ist die Liebe, die ihn zu dieser Erkenntnis führt. Mit seiner brennend intensiven und dichten Klangwelt gelingt es dem Komponisten Manfred Trojahn, den Zuschauer ganz nah an den Wahnsinn zu führen, der sich in Orests Kopf abspielt. Die erste Aufführung seiner Oper in Amsterdam wurde von der Opernwelt zur «Uraufführung des Jahres 2012» gewählt. Mit Hans Neuenfels inszeniert ein Grossmeister seines Fachs zum ersten Mal im Opernhaus Zürich. Für die Hauptpartie konnten wir den Bariton Georg Nigl gewinnen, den die Opernwelt zum «Sänger des Jahres 2015» kürte.

Deutsch

orestes
Orestes is a scion of the ancient Atrid family who have been caught in a vicious cycle of crime and revenge for generations. In his radical one-act play Elektra , which premiered in 1908 , Richard Strauss described how Orestes avenged himself for the murder of his father Agamemnon by killing his mother Clytemnestra and her lover Aegisth.

A hundred years later, the German composer Manfred Trojahn dedicated himself to the continuation of this story: Unlike his fanatical sister Elektra, who demands justice at any price, Orestes struggles with fate after his cruel deed. He feels guilty, although he received the murder order from the god Apollo and blindly followed it. Orestes shows in an exemplary way the conflict between foreign and self-determination, which makes him a politically and psychologically explosive figure not only for the philosophy of freedom of the 20th century, but even today. At the end of Trojahn's opera, Orestes rejects the cycle of murder. He realizes that he has to live with his guilt in order to escape from family pressures. It is love that leads him to this realization. With his burning, intense and dense world of sound, the composer Manfred Trojahn succeeds in leading the audience very close to the madness that is taking place in Orestes' head. The first performance of his opera in Amsterdam was voted "World Premiere of the Year 2012" by Opernwelt. With Hans Neuenfels, a grand master of his field is staging for the first time in the Zurich Opera House. For the main role we were able to win over the baritone Georg Nigl, who was named "Singer of the Year 2015" by the Opernwelt. With Hans Neuenfels, a grand master of his field is staging for the first time in the Zurich Opera House. For the main role we were able to win over the baritone Georg Nigl, who was named "Singer of the Year 2015" by the Opernwelt. With Hans Neuenfels, a grand master of his field is staging for the first time in the Zurich Opera House. For the main role we were able to win over the baritone Georg Nigl, who was named "Singer of the Year 2015" by the Opernwelt.

English

Orest by Trojahn, Dum 19 Mart. 2017, De la (2017/2017), Regizat de către Hans Neuenfels,, Dirijor Erik Nielsen, Opernhaus, Zurich, Switzerland

Creditele spectacolului (Distribuție și Echipa )

Distribuție

Echipajul

Ansamblu

Program, Despre și Sinopsis

Videoclipuri

Lectură în continuare

Date și locuri de spectacol

Locații