Name: Orfeo ed Euridice
Start: 2022-09-21T00:00:00.000Z
End: 2022-10-01T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Conductor

Thomas Hengelbrock

Stage director

Robert Carsen

Set designer

Tobias Hoheisel

Costume designer

Lighting designer

Peter van Praet

Countertenor

Jakub Józef Orliński

Orfeo

Soprano

Regula Mühlemann

Euridice

Elena Galitskaya

Amor

Light

Matthieu Pouly

Canadian Opera Company

Balthasar Neumann Choir and Ensemble

Théâtre des Champs-Elysées

Teatro dell'Opera di Roma

Others

Orchestra

Balthasar Neumann Ensemble

Lyric Opera of Chicago

italiană

Orfeo ed Euridice -  (Orpheus and Eurydice)

Paris

France

Orfeo ed Euridice Gluck

Public

Private

Orpheus and Eurydice

franceză

engleză

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Baritone

Singer

Contralto

Mezzo-soprano

Tenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

La mise en scène légendaire de Robert Carsen de l'opéra de Gluck est de retour sur scène au Théâtre des Champs-Elysées. Avec :  @Jakub Józef Orliński - Count...

When he takes up more than a century and a half after Monteverdi the subject of the fable of the Orfeo, Gluck at the same time engaged in a revival of the codes of opera hitherto in force. He favors dramatic action, its strength, its coherence and its richness, which in his eyes must be in perfect harmony with the musical writing. From this reflection emerges an innovative work which, through the incredible richness of the ballets and choirs in particular, radiates a luminous beauty while "reforming" the codes of the past. The Canadian Robert Carsen has staged the work with a device beyond all temporal references and gives a central place to music and singing. If the subject comes from one of the most beautiful myths, the plot tightens on the couple formed by Orfeo and Euridice through their tunes which require flawless sensitivity and virtuosity.

After several recitals here where he triumphed, the countertenor Jakub Józef Orliński takes his first Parisian steps at the opera opposite the young Regula Mühlemann with vocals chiseled like a diamond. A duo of youth and musical insolence which should shine with a thousand lights under the expert baton of Thomas Hengelbrock at the desk of his Bathalsar-Neumann-Ensemble and Chor. The two lovers will have the impressive experience of the painful descent into Hell that even love, here embodied by Elena Galitskaya, the mischievous Pauline of the recent Parisian Life , will not be able to save. The whole palette of love song condensed in one of Gluck's most moving pages.

English

Lorsqu’il reprend plus d’un siècle et demi après Monteverdi le sujet de la fable de l’Orfeo, Gluck s’engage en même temps dans un renouveau des codes de l’opéra jusqu’alors en vigueur. Il privilégie l’action dramatique, sa force, sa cohérence et sa richesse, qui à ses yeux se doivent d’être en parfaite harmonie avec l’écriture musicale. De cette réflexion surgit un ouvrage novateur qui, par l’incroyable richesse des ballets et des chœurs notamment, rayonne d’une beauté lumineuse tout en « réformant » les codes du passé. Le canadien Robert Carsen a mis en scène l’œuvre avec un dispositif hors de toutes références temporelles et donne une place centrale à la musique et au chant. Si le sujet est issu de l’un des plus beaux mythes, l’intrigue se resserre sur le couple formé par Orfeo et Euridice au travers de leurs airs qui requièrent une sensibilité et une virtuosité sans faille.

Après plusieurs récitals ici-même où il a triomphé, le contre-ténor Jakub Józef Orliński fait ses premiers pas parisiens à l’opéra face à la jeune Regula Mühlemann aux vocalises ciselées comme un diamant. Un duo de jeunesse et d’insolence musicale qui devrait briller de mille feux sous la baguette experte de Thomas Hengelbrock au pupitre de ses Bathalsar-Neumann-Ensemble et Chor. Les deux amants feront l’impressionnante expérience de la douloureuse descente aux Enfers que même l’amour, ici incarné par Elena Galitskaya, la mutine Pauline de la récente Vie parisienne, ne pourra sauver. Toute la palette du chant amoureux condensée dans l’une des pages les plus bouleversantes de Gluck.

français

Orpheus and Eurydice by Gluck, Vin 23 Sept. 2022, De la (2022/2022), Regizat de către Robert Carsen,, Dirijor Thomas Hengelbrock, Théâtre des Champs-Elysées, Paris, France

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