Name: Orphée aux enfers
Start: 2022-01-09T00:00:00.000Z
End: 2022-01-09T00:00:00.000Z
Location: Opernloft im Alten Fährterminal Altona

Organization

Singer

Lisa Ziehm

SOPRANO

Tim Maas

BASS BARITONE

Stage director

Kerstin Steeb

Sound designer

Tom Gatza

Equipment

Hanne Lenze-Lauch

VOICE FROM THE OFF

Hannes Hellmann

Opernloft im Alten Fährterminal Altona

Orphée aux enfers -  (Orpheus in the Underworld)

Hamburg

Germany

Orphée aux enfers Offenbach

Public

Orpheus in the Underworld

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Countertenor

Tenor

Bass

Bass-baritone

Contralto

Mezzo-soprano

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Orpheus and Eurydice were a dream couple. But now they've had enough of each other. They need space and want to get divorced. The lovers are ready. Only "public opinion" has something against it. Can the audience influence the course of the divorce - and maybe even the play?

Jacques Offenbach's "Orpheus in the Underworld" parodies the Greek legend of Orpheus and Eurydice and at the same time exposes the double standards of the better society of the French Empire. The special mixture of humor and criticism is taken by the director Kerstin Steeb, who is already at the Opernloft for the third time staged, under the magnifying glass. The Corona-compatible format with a singer becomes a workshop production that radically questions "Orpheus in the Underworld" with regard to its current relevance.

বাংলা

Orpheus in the Underworld by Offenbach, Dg. 09 Gen. 2022, De (2022/2022), Dirigit per Kerstin Steeb,, Opernloft im Alten Fährterminal Altona, Hamburg, Germany

Crèdits de representació (Repartiment i equipatge )

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