Name: Orphée aux enfers
Start: 2017-01-15T00:00:00.000Z
End: 2017-01-20T00:00:00.000Z
Location: Théâtre du Passage

Organization

Conductor

Yves Senn

Stage director

Alexandre De Marco

Coline Fassbind

Set designer

Xavier Hool

Lighting designer

Faustine de Montmollin

Costume designer

Caroline Zanotti

Musical Assistant

Léonard Schneider

Singer

Soprano

Leana Durney

Eurydice

Tenor

Fernando Cuellar

Orpheus

Baritone

Davide Autieri

Jupiter

Alain Rochat

Aristaeus / Pluto

Mezzo-soprano

Alice Grandjean

Cupid

John Styx

Noémie Stauffer

Public Opinion

Diana Chavarro

Diana

Patricia Berto

Venus

Alix Pellaton

Minerva

Maïté Renaud

Juno

Charles Brunner

Mercury

Vincent Steiner

Morphée

L'Avant-Scène Opéra

Théâtre du Passage

Others

chœur et orchestre

Orphée aux enfers -  (Orpheus in the Underworld)

Neuchatel

Switzerland

Orphée aux enfers Offenbach

Public

Orpheus in the Underworld

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Dessert anecdote Created in 1858, Orphée aux Enfers was the source of a scandal. Its libretto based on a satire of mythology, it was condemned by many critics who saw in it a desecration of an essential heritage. Emile Zola himself, in the opening scene of his novel Nana, describes the premiere of an operetta entitled La Blonde Vénus – a fictional double of Orpheus in the Underworld – in highly derogatory terms: “This carnival of the gods, the Olympus dragged through the mud, an entire religion, an entire poetry flouted, seemed an exquisite treat. The fever of irreverence won over the educated world. We trampled on the legend, we broke the ancient images. For a long time, in the theater, the public had wallowed in stupidity more disrespectful. The work was nevertheless a huge public success, counting more than 1000 performances during Offenbach's lifetime.

English

Dessert anecdote
Créé en 1858, Orphée aux Enfers fut
à l’origine d’un scandale. Son livret
reposant sur une satire de la mythologie,
il fut condamné par de nombreux critiques
qui y voyaient une profanation d’un
héritage essentiel. Emile Zola lui-même,
dans la scène d’ouverture de son roman
Nana, décrit la première d’une opérette
intitulée La Blonde Vénus – double fictif
d’Orphée aux Enfers – en des termes
très dépréciatifs: «Ce carnaval des dieux,
l’Olympe traîné dans la boue, toute une
religion, toute une poésie bafouée,
semblèrent un régal exquis. La fièvre de
l’irrévérence gagnait le monde lettré. On
piétinait sur la légende, on cassait les
antiques images. Depuis longtemps, au
théâtre, le public ne s’était vautré dans
de la bêtise plus irrespectueuse. » L’œuvre
connut néanmoins un immense succès
public, comptabilisant plus de 1000
représentations du vivant d’Offenbach.

français

Orpheus in the Underworld by Offenbach, pi 20 jan 2017, Od (2017/2017), Režírované Alexandre De Marco, Coline Fassbind,, Dirigent Yves Senn, Théâtre du Passage, Neuchatel, Switzerland

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