Name: Per la notte di Natale
Start: 2022-12-22T00:00:00.000Z
End: 2022-12-22T00:00:00.000Z
Location: Auditorio de Tenerife

Organization

Singer

Adrián Linares

Violin

Raquel Sobrino

Lorena Padrón

Alexandra López

Giovanni Déniz

Victor Gil

Viola

Alaia Ferran

Candela Gómez Bonet

Cello

Diego Pérez

Juan Carlos Baeza

Conductor

Carmen Leoni

Ópera de Tenerife

Orchestra

Orquesta Barroca de Tenerife

Per la notte di Natale

Santa Cruz de Tenerife

Spain

Auditorio de Tenerife

Per la notte di Natale: Concert

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass

Mezzo-soprano

Contralto

Baritone

Tenor

Bass-baritone

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Per la notte di Natale

A dos noches de la Notte di Natale, la Orquesta Barroca de Tenerife nos invita a saludar la Navidad, con la pastoral como leit motiv, en memoria de la adoración de los pastores, a través de una selección de fábulas musicales del repertorio barroco italiano.

 

Espirituales diálogos se respiran en este primer opus de Locatelli que, en su número ocho, dedica al Santo Natale como Concerto en fa menor. Un intrincado laberinto canónico -y clásico en su estructura-  que bien podríamos entender como un hipertexto de movimientos, con episodios tanto previos como posteriores al origen del Misterio, desde la Encarnación hasta el Nacimiento, narrados con música al puro estilo italiano del siglo XVIII.

 

Sin saber a ciencia cierta cómo sería el invierno en Belén, el Concerto nº 4, en fa menor, Op. 8 de Vivaldi nos sirve para ambientar la fría Nochebuena con su allegro-largo-allegro, desde su inspiradora égloga: “Esto es Invierno, pero traiga gozo”.

 

Le sigue, sin querer ser programática, la danza pastoril de Manfredini, Sinfonia XII, en re mayor. Podemos imaginarla, en su largo, como un cauto acercamiento de los pastores al lugar del Misterio con la sorpresa, al reconocer al Niño, en el puntato que cierra el primer movimiento. Avanza en el adagio la hermosa nana de regocijo, cerrando con la alegría de reconocer al Salvador en el último movimiento, quasi una plegaria campestre.

 

El concerto nº 6, en sol menor, Op. 8 de Torelli, sviluppando una visionaria pastoral, confronta i tempi como un adelanto -muy barroco- del Niño de Pasión, en su tortuoso grave-vivace-largo, que muta hacia la convicción de la redención, para regalarnos una danza llena de esperanza. Este bloque central de la velada no podía concretarse sin el vivaldiano riposo, en mi mayor, canto de querubines celestiales que se despeñan en el primer allegro, silenciados -por la Madre de la madres- en el adagio, seguido del albor de los pájaros en el último allegro -como glosa de la naturaleza- en reconocimiento al hijo de Dios en la tierra.  

  

Como colofón, escucharemos la sonora festa campestre de Corelli -el padre del concerto grosso alla italiana- que con su Concerto  nº 8,  Fatto per la Notte di Natale, en sol menor,  Op. 6, nos invade de afectos y giros en la vertiginosidad de sus movimientos y en el virtuosismo de los intérpretes, en reconocimiento del impulso que el espíritu le insuflara para legarnos, en el catálogo de la Historia de la Música, esta hermosa obra del Gozo que hoy podemos disfrutar en Tenerife gracias al ímpetu de nuestra Orquesta Barroca.

 

Conrado Álvarez Fariña

Director artístico de la Orquesta Barroca de Tenerife

español

Two nights from the Notte di Natale , the Tenerife Baroque Orchestra invites us to greet Christmas, with the pastoral as  leitmotiv , in memory of the adoration of the shepherds, through a selection of musical fables from the Italian Baroque repertoire.

 

Spiritual dialogues are breathed in this first opus by Locatelli which, in number eight, he dedicates to Santo Natale as Concerto in F minor. An intricate canonical labyrinth -and classic in its structure- that we could well understand as a hypertext of movements, with episodes both before and after the origin of the Mystery, from the Incarnation to the Birth, narrated with music in the pure Italian style of the 18th century.

 

Without knowing for sure what winter would be like in Bethlehem, Vivaldi's Concerto no . , but bring joy ”.

 

It is followed, without wishing to be programmatic, by Manfredini's pastoral dance, Sinfonia XII , in D major. We can imagine it, in its length , as a cautious approach of the shepherds to the place of the Mystery with surprise, upon recognizing the Child, in the dot that closes the first movement. The beautiful lullaby of joy advances in the adagio , closing with the joy of recognizing the Savior in the last movement, almost a country prayer.

 

Concerto No. 6, in G minor, Op. 8 by Torelli, sviluppando a pastoral visionary, confronts i tempi as a very baroque advance of the Child of Passion, in its tortuous grave-vivace-largo, which mutates towards the conviction of redemption, to give us a dance full of hope. This central block of the evening could not come to fruition without the vivaldian riposo , in E major, the song of heavenly cherubs that fall off a cliff in the first allegro , silenced -by the Mother of mothers- in the adagio , followed by the dawn of the birds in the last allegro-as a gloss of nature- in recognition of the son of God on earth.  

  

As a climax, we will listen to the sonorous festa campestre by Corelli - the father of the concerto grosso alla italiana - who with his Concerto   No. 8,   Fatto per la Notte di Natale , in G minor, Op. 6, invades us with affection and dizzying turns of their movements and in the virtuosity of the interpreters, in recognition of the impulse that the spirit breathed into it to leave us, in the catalog of the History of Music, this beautiful work of Joy that we can enjoy today in Tenerife thanks to the impetus of our Orchestra baroque.

English

Per la notte di Natale by Various, čet. 22 dec. 2022, Od (2022/2022), Dirigent Carmen Leoni, Auditorio de Tenerife, Santa Cruz de Tenerife, Spain

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