Name: Im weißen Rößl
Start: 2024-11-06T00:00:00.000Z
End: 2024-11-24T00:00:00.000Z
Location: Gärtnerplatztheater

Admin

Staatstheater am Gärtnerplatz

Others

Stage director

Josef Ernst Köpplinger

Choreographer

Karl Alfred Schreiner

Set designer

Rainer Sinell

Costume designer

Lighting designer

Jakob Bogensperger

Wieland Müller-Haslinger

Dramaturge

Michael Alexander Rinz

Orchestra

Orchester des Staatstheaters am Gärtnerplatz

Chor des Staatstheaters am Gärtnerplatz

Children's Chorus of the Staatstheater am Gärtnerplatz

Ballet

Ballet of the Staatstheater am Gärtnerplatz

germană

Im weißen Rößl -  (The White Horse Inn)

Munich

Germany

Gärtnerplatztheater

Im weißen Rößl Benatzky

Public

The White Horse Inn

Sharan Allad

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Conductor

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Singer

Contralto

Tenor

Baritone

Countertenor

Mezzo-soprano

Bass-baritone

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

IM WEISSEN RÖSSLgaertnerplatztheater.de/roesslfrei nach dem Lustspiel von Blumenthal und KadelburgVon Hans Müller und Erik CharellMusik von Ralph BenatzkyTe...

Im schönen Salzkammergut ist Oberkellner Leopold in Herzensnöten: Seine Chefin, die burschikose »Rössl«-Wirtin, hat es ihm angetan. Doch bis es zum Happy End kommt, braucht es dann schon den Kaiser!

Ende der 1920er Jahre gab Regisseur und Produzent Erik Charell eine Bearbeitung des Alt-Berliner Lustspiels »Im weißen Rössl« zu einer frivol-komischen Melange aus Schwank, Operette und Revue in Auftrag. Ralph Benatzky und er stellten dafür aus eigenem und historischem Material sowie Einlagen berühmter zeitgenössischer Schlagerkomponisten eine bunte Partitur zusammen, die mit Titeln wie »Mein Liebeslied muss ein Walzer sein«, »Die ganze Welt ist himmelblau« oder »Was kann der Sigismund dafür, dass er so schön ist« aufwarten kann, und landeten damit bei der Uraufführung 1930 im Berliner Großen Schauspielhaus einen Sensationserfolg, auf dessen Fährten das längst zum Kult gewordene Stück bis heute ungebremst weitergaloppiert!

Deutsch

In the beautiful Salzkammergut region, head waiter Leopold is heavy-hearted: He has fallen for his boss, the feisty owner of the White Horse Inn. But it takes the Emperor to bring about the happy ending!

»If you want to travel, ask everything from the region to which you're travelling.« Perhaps director and producer Erik Charell was familiar with Kurt Tucholsky's quote from »Die Kunst, falsch zu reisen« [The Art of Travelling Wrongly] when, at the end of the 1920s, he commissioned the adaptation of the old-fashioned Berlin comedy of the same name into a mixture of farce, operetta and revue for the Großes Schauspielhaus in Berlin. He and Ralph Benatzky put together a colourful score for it, made up of their own and historical material and musical numbers by famous contemporary composers of popular hits including songs such as »Mein Liebeslied muss ein Walzer sein« [My song of love must be a waltz], »Die ganze Welt ist himmelblau« [The whole world is sky blue] and »Was kann der Sigismund dafür, dass er so schön ist« [Is it Sigismund's fault that he is so lovely]. The first performance on 8 November 1930 was a sensational success, and this early form of the German musical had soon travelled the world. In 1951, Charell had the music and lyrics for his staging of the work in the Gärtnerplatz Theatre revised in the style of an operetta, and this continued to be the work's predominant style until the original version of the musical was rediscovered in Zagreb in 2008. This is far more cheeky, fast-paced and satirical than the »down-home«, trivialised post-War version, and is a wonderful example of the legendary theatrical entertainment of the Weimar Republic.

English

The White Horse Inn by Benatzky, Dum 24 Nov. 2024, De la (2024/2024), Regizat de către Josef Ernst Köpplinger,, Gärtnerplatztheater, Munich, Germany

Creditele spectacolului (Distribuție și Echipa )

Echipajul

Ansamblu

Program, Despre și Sinopsis

Videoclipuri

Fotografii

Lectură în continuare

Date și locuri de spectacol

Locații