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Carmen, Bizet
Deliti
Vstopnice
Estonian National Opera (2024/25)
Igranje v glavni vlogi:
Mario Rojas,
Helen Lokuta,
Elena Brazhnyk,
Gagik Vardanyan,
René Soom,
Rauno Elp,
Merit Kraav,
Janne Ševtšenko,
Kristel Pärtna,
Heldur Harry Põlda,
Marie Gautrot,
Aule Urb,
Thomas David Birch,
Kadri Kõrvek,
Raiko Raalik,
Priit Volmer,
Kadri Nirgi,
Mart Madiste,
Reigo Tamm,
Mehis Tiits,
Perrine Madoeuf,
Tamar Nugis,
Maria Leppoja,
Tambet Kikas,
Karis Trass
27 september - 05 april 2024/25 (11 predstav)
Obiščite spletno mesto
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francoščina
estonščina/angleščina
Estonian National Opera, Tallinn, Estonia
Informacije umetniške organizacije (Preverjeno s strani Operabase)

Carmen by Bizet, Od (2024/2025), Režija: Pierre-Emmanuel Rousseau,, Dirigent Henri Christofer Aavik, Arvo Volmer, Kaspar Mänd, Estonian National Opera, Tallinn, Estonia

Krediti za predstavo (Zasedba in producentska ekipa )

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Igralska zasedba

  • Carmen

    HL

    Helen Lokuta

    (2024 sep. 27, 29; okt. 05, 11; 2025 jan. 09, 11; apr. 02, 05)

    MG

    Marie Gautrot

    (2024 sep. 27; okt. 05, 09; 2025 jan. 09, 11; apr. 02, 05)

    Aule Urb

    Aule Urb

    (2024 sep. 29; dec. 20, 22; 2025 jan. 09, 11; apr. 02, 05)

  • Don José

    Mario Rojas

    Mario Rojas

    (2024 sep. 27; okt. 05, 09; dec. 20, 22; 2025 jan. 09, 11; apr. 02, 05)

    TD

    Thomas David Birch

    (2024 sep. 29; okt. 09, 11; 2025 jan. 09, 11; apr. 02, 05)

  • Escamillo

    Gagik Vardanyan

    Gagik Vardanyan

    (2024 sep. 29; okt. 05, 09, 11; 2025 jan. 09, 11; apr. 02, 05)

    RR

    Raiko Raalik

    (2024 sep. 27; dec. 20, 22; 2025 jan. 09, 11; apr. 02, 05)

  • Micaëla

    (Michaela)

    EB

    Elena Brazhnyk

    (2024 sep. 27, 29; okt. 05, 11; 2025 jan. 09, 11; apr. 02, 05)

    KK

    Kadri Kõrvek

    (2024 sep. 29; dec. 20, 22; 2025 jan. 09, 11; apr. 02, 05)

    Perrine Madoeuf

    Perrine Madoeuf

    (2024 sep. 27; okt. 09; 2025 jan. 09, 11; apr. 02, 05)

  • Zuniga

    RE

    Rauno Elp

    (2024 sep. 29; okt. 09; dec. 20, 22; 2025 jan. 09, 11; apr. 02, 05)

    PV

    Priit Volmer

    (2024 sep. 27; okt. 05, 11; 2025 jan. 09, 11; apr. 02, 05)

  • Moralès

    (Morales)

    RS

    René Soom

    (2024 sep. 29; okt. 05, 11; dec. 22; 2025 jan. 09, 11; apr. 02, 05)

    TN

    Tamar Nugis

    (2024 sep. 27; okt. 09; 2025 jan. 09, 11; apr. 02, 05)

    TK

    Tambet Kikas

    (2024 dec. 20; 2025 jan. 09, 11; apr. 02, 05)

  • Frasquita

    KP

    Kristel Pärtna

    (2024 sep. 29; okt. 05, 11; dec. 20; 2025 jan. 09, 11; apr. 02, 05)

    KN

    Kadri Nirgi

    (2024 sep. 27; okt. 09; dec. 22; 2025 jan. 09, 11; apr. 02, 05)

    ML

    Maria Leppoja

    (2024 sep. 27, 29; 2025 jan. 09, 11; apr. 02, 05)

  • Mercédès

    (Mercedes)

    MK

    Merit Kraav

    (2024 sep. 29; okt. 05, 11; dec. 20; 2025 jan. 09, 11; apr. 02, 05)

    JŠ

    Janne Ševtšenko

    (2024 sep. 27, 29; okt. 09; dec. 22; 2025 jan. 09, 11; apr. 02, 05)

    KT

    Karis Trass

    (2025 jan. 09, 11; apr. 02, 05)

  • Le Dancaïre

    (Dancaire)

    RT

    Reigo Tamm

    (2024 sep. 29; okt. 11; dec. 20; 2025 jan. 09, 11; apr. 02, 05)

    MT

    Mehis Tiits

    (2024 okt. 05, 09; dec. 22; 2025 jan. 09, 11; apr. 02, 05)

    MM

    Mart Madiste

    (2024 sep. 27; 2025 jan. 09, 11; apr. 02)

  • Le Remendado

    (Remendado)

    Heldur Harry Põlda

    Heldur Harry Põlda

    (2024 sep. 29; okt. 09, 11; dec. 20; 2025 jan. 09, 11; apr. 02, 05)

    MM

    Mart Madiste

    (2024 sep. 27; okt. 05; dec. 22; 2025 jan. 09, 11; apr. 02, 05)

    MT

    Mehis Tiits

    (2024 sep. 27; 2025 jan. 11; apr. 02)

Posadka

Ansambel

Program, O in Sinopsis

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Program

1

Carmen, Bizet
OperaStaged
When “Carmen” was first staged in France (1875), it received negative feedback: its plot was considered immoral and characters vulgar. Bizet shocked the audience by portraying ordinary people on stage – villagers, factory workers, gypsies, smugglers, and by showing the death of the main character on stage. Pyotr Tchaikovsky understood the greatness of this piece and predicted a brilliant future for the opera: “Ten years from now it will be the most popular opera in the world”. And he was right, because “Carmen” shortly became one of the most popular operas with the Toreador’s song and the main character’s Habanera becoming the symbols of opera music for many generations. Bizet’s passionate music is brought to life on stage by the stage director Pierre-Emmanuel Rousseau: “Carmen is a woman haunted by fate and destiny that run between men and superstitions, religion and paganism. To communicate this, I want to return to the sources of the Carmen “myth”: rediscover the harsh and uncompromising spirit of Mérimée’s heroine. In a cigar factory, a no man’s land and an arena, Carmen plays, dances, summons the spirits, and trembles. From the start, she must be aware of her imminent and inevitable death, like an animal that senses danger and the hunter. Carmen is also a figure of anarchy, of the refusal of the established order, of total and deadly freedom, who, through her attitude and her behaviour, challenges bourgeois morality. This figure of a woman like a black sun will find in Don José the instrument of her destiny. Don José is already a murderer; he joined the army to flee from the consequences of his actions and his village. He is broken, dangerous and very unstable. The witch in Carmen will sense that at an instant. She will use José, drive him crazy, and lead him to kill her, because that is his destiny. This is what I want to show in my production of “Carmen”, in the midst of the sand of the bull fighting arena, Madonnas, bandits, sweat, dances, chairs, and bullfighting”.
Informacije o tem so na voljo v: English

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