Name: Rencontres Inédites VI
Start: 2024-07-28
End: 2024-07-28
Location: Eglise de Verbier

Admin

Verbier Festival

Instrumentalist

Alexandra Conunova

Violin I

Bomsori Kim

Violin II

Dmitry Shishkin

Piano

Violinist

Violin 1

Violin 2

Violist

Michael Barenboim

Viola

Bruce Liu

Violin

Kian Soltani

Cello

Rencontres Inédites VI

Bagnes

Switzerland

Eglise de Verbier

Rencontres Inédites VI: Five Pieces for Two Violins and Piano Shostakovich (+2 More)

Public

Five Pieces for Two Violins and Piano

Miniatures, Op.75a

Piano Trio No.1, Op.8

Akshay C K

Approved

Uncomplicatedly congenial and amateur-friendly, Shostakovich’s suite for two violins and piano draws its melodies from the many scores he wrote for the Soviet film industry for financial reasons. After a sentimental Prelude come a sunnily four-square Gavotte, a tender Elegy, a Waltz, and a merry Polka. Dvořák penned his 4 miniatures of 1887 for personal pleasure, so he could play his viola with an amateur violinist he lived with, plus their teacher. Its contrasting movements are a lyrical Cavatina, a lively Cappriccio, a tender Romance and a sighing Elegie. Smetena’s elegiac four-movement Piano Trio – full of falling figures, with a funeral march towards the end of its finale – was written in 1855, in anguished response to the death of his young daughter. He later explained that articulating his grief through chamber forces was ‘as though in a small friendly circle they are discussing amongst themselves what so obviously troubles me.’

English

D’un abord facile et convivial, la Suite pour deux violons et piano de Chostakovitch tire son matériau mélodique des nombreuses musiques de films écrites par Chostakovitch pour le cinéma soviétique. Le Prélude, sentimental, est suivi d’une Gavotte ensoleillée, d’une tendre Élégie, d’une Valse, et enfin, d’une joyeuse Polka. C’est pour le plaisir personnel de les jouer lui-même à l’alto avec deux amis que Dvorak écrivit ses quatre miniatures de 1887 : une Cavatine lyrique, un Cappriccio vif, une Romance tendre et une Élégie. Smetana composa son élégiaque Trio pour piano – riche en figures descendantes et avec une marche funèbre dans son Finale – en 1855, en réaction angoissée à la mort de sa fille de quatre ans et demi. Il expliqua plus tard qu’exprimer son chagrin par le biais de la musique de chambre était « comme discuter, dans un petit cercle amical, de ce qui me bouleverse si manifestement ».

français

Rencontres Inédites VI by Shostakovich, Dvořák, Brahms, Dum 28 Iul. 2024, De la (2024/2024), Eglise de Verbier, Bagnes, Switzerland

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