In the 1700s, Rome established itself as an exceptional artistic center. During his stay, Handel was able to compete with such illustrious masters as Scarlatti and Caldara, arousing universal admiration with masterpieces such as the oratorios La Resurezzione or Il Trionfo del Tempo . Brazilian sopranist Bruno de Sá, heard last season in Il primo omicidio , resuscitates this flamboyant vocality, with exceptional vocal means. His bright and easy highs, especially his innate musicality, will be a real revelation. Around him, Les Accents will deploy a sonic opulence and an incredible refinement of timbres, under the direction of Thibault Noally, one of the most recognized specialists in this repertoire
