Name: Sinfónico 12
Start: 2024-02-16T00:00:00.000Z
End: 2024-02-18T00:00:00.000Z
Location: Auditorio Nacional de Musica

Organization

Conductor

Krzysztof Urbański

Instrumentalist

Bomsori Kim

Violin

Orchestra

National Orchestra of Spain

Orquesta y Coro Nacionales de España

Auditorio Nacional de Música

Sinfónico 12

Madrid

Spain

Auditorio Nacional de Musica

Sala Sinfónica

Sinfónico 12: Scherzo (arr. Krzysztof Urbański) Bacewicz (+2 More)

Public

Scherzo (arr. Krzysztof Urbański)

Violin Concerto in D Major, op. 35

Symphony No. 7 in D minor Op. 70

Simon Samuel

Approved

La violinista Bomsori presenta el Sinfónico 12

Discípula de Nadia Boulanger, concertista de violín y figura clave de la música polaca entre Szymanowski y Lutosławski, Grażyna Bacewicz está escalando puestos rápidamente en las salas de conciertos gracias a la poderosa impronta de su música sinfónica. Este Scherzo pianístico orquestado por Urbański ofrece un atisbo de su talento en su vertiente más vital y desenfadada.

«Frescura, ligereza, ritmos picantes y melodías hermosas excelentemente armonizadas» son las virtudes que Chaikovski reconoció en la música francesa de su tiempo. Su Concierto para violín nació bajo el influjo de la Sinfonía española de Lalo, y aunque horrorizó –una vez más– a Eduard Hanslick –portavoz de la ortodoxia clasicista vienesa–, satisfizo plenamente las pretensiones del compositor, que incorporó además un reconocible toque ruso. El elemento nacional y la ortodoxia clasicista dialogan también en la que es posiblemente la más brahmsiana de las sinfonías del checo Antonín Dvořák, así como el testimonio más sincero –en sentido autobiográfico– de sus «años tristes».

español

A disciple of Nadia Boulanger, a concert violinist and a key figure in Polish music between Szymanowski and Lutosławski, Grażyna Bacewicz is rapidly climbing the ranks in concert halls thanks to the powerful imprint of her symphonic music. This piano Scherzo orchestrated by Urbański offers a glimpse of her talent in her most vital and carefree side.

"Freshness, lightness, spicy rhythms and beautifully harmonized beautiful melodies" are the virtues that Tchaikovsky recognized in the French music of his time. His Violin Concerto was born under the influence of Lalo's Spanish Symphony , and although it horrified –once again– Eduard Hanslick –spokesperson for Viennese classicist orthodoxy–, it fully satisfied the composer's claims, who also incorporated a recognizable Russian touch. The national element and classicist orthodoxy also dialogue in what is possibly the most Brahmsian of the Czech Antonín Dvořák's symphonies, as well as the most sincere testimony –in an autobiographical sense–  of his “sad years”.

English

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