Name: The Four Note Opera
Start: 2024-03-15T00:00:00.000Z
End: 2024-03-17T00:00:00.000Z
Location: Dutch National Opera & Ballet

Organization

Admin

Opera Forward Festival

De Nationale Opera

Nederlandse Reisopera

Opera Zuid

Stage director

Kenza Karin Koutchoukali

Set designer

Yannick Verweij

Dramaturge

Wout van Tongeren

Lighting designer

Coen van der Hoeven

Conductor

Alejandro Cantalapiedra

Laura Roling

Singer

Soprano

Sophia Hunt

Contralto

Martina Myskohlid

Tenor

Salvador Villanueva

Baritone

Georgiy Derbas-Richter

Bass

Mark Kurmanbayev

Costume designer

Instrumentalist

Daniel Ruiz de Cenzano Caballero

Piano

The Four Note Opera -  (Four Note Opera)

Amsterdam

Netherlands

Dutch National Opera & Ballet

Studio Boekman

The Four Note Opera Johnson

Public

Private

Four Note Opera

Rahul Solomon

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Dark comedy over zangers die niets te zeggen hebben
I always feel very uncomfortable in the Final Scene.
But what can we do?
That is the way the opera is written.
We have no control over such things.

Geïnspireerd door het meta-theater van Luigi Pirandello schreef componist Tom Johnson een stuk voor een groep zangers die slechts vier noten tot hun beschikking hebben (A, B, D en E) en over niets anders kunnen zingen dan de opera waar ze op dat moment zelf in staan. Natuurlijk is die situatie onhoudbaar: de opera eindigt in totale verstarring.

Vijftig jaar geleden was de Four Note Opera een plagerig commentaar op de conventies van de operawereld. Hoe zit dat vandaag de dag? Is het stuk zelf sleets repertoire geworden, of is de kritiek nog steeds relevant? Want hoeveel controle hebben zangers van nu eigenlijk over de rollen die ze zingen? En hoeveel zeggenschap hebben operamakers over hun eigen creatieproces?

Nederlands

I always feel very uncomfortable in the Final Scene.
But what can we do?
That is the way the opera is written.
We have no control over such things.

Inspired by Luigi Pirandello’s meta-theatre, composer Tom Johnson wrote a piece for a group of singers who have only four notes at their disposal (A, B, D and E) and couldn’t sing about anything other than the opera they are now performing in. Of course, such is an impossible situation: the opera ends in utter rigidity.

English

Four Note Opera by Johnson, Ds. 16 Març 2024, De (2024/2024), Dirigit per Kenza Karin Koutchoukali,, Director musical Alejandro Cantalapiedra, Dutch National Opera & Ballet, Amsterdam, Netherlands

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