Name: The Rake's Progress
Start: 2012-03-02T00:00:00.000Z
End: 2012-03-06T00:00:00.000Z
Location: Grand Théâtre Massenet

Organization

Singer

Tenor

Gilles Ragon

Tom Rakewell

Soprano

Ingela Bohlin

Anne Truelove

Bass-baritone

Paul Gay

Nick Shadow

Bass

Eric-Martin Bonnet

Father Truelove

Mezzo-soprano

Nadine Weissmann

Baba the Turk

Contralto

Kismara Pezzati

Mother Goose

James Oxley

Sellem

Terence Newcombe

Keeper of the Madhouse

Conductor

Laurent Campellone

Stage director

Carlos Wagner

Costume designer

Conor Murphy

Set designer

Opéra de Saint-Étienne

Opéra de Rennes

Others

Chœur Lyrique  Saint-Étienne Loire

Angers Nantes Opéra

Orchestra

Orchestre Symphonique Saint-Étienne Loire

angleščina

The Rake's Progress

Saint-Etienne

France

Grand Théâtre Massenet

Private

Public

francoščina

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

1947. Recently settled in the United States, Stravinsky discovers a series of paintings dating from 1735 by William Hogarth. The English painter and engraver theatrically demonstrates the disorders to which alcohol and women can lead. Stravinsky entrusts the poet Wystan Hugh Auden with the task of writing a libretto supporting "neo-classical" music, that is to say, conscious of the past as well as the future.

The hero Tom abandons his faithful Anne Trulove to follow the diabolical Nick Shadow who makes him believe in the heritage of an unknown uncle. From brothels to vain pleasures, Tom is bored and his naivety goes so far as to make him believe in his idealistic dream of eradicating hunger in the world thanks to a marvelous bread machine. The harder the fall. A game of cards later, an alienated Tom falls asleep to the sound of Anne's lullaby returned or reinvented.

Carlos Wagner sees in the course of the libertine that of a poet who refuses the materialistic reality of life, in search of absolute freedom. The magnificent setting in which it turns in circles, in the shape of a wheel of Fortune, superbly symbolizes this cycle of the coincidences of time in which madness wins.

English

1947. Installé depuis peu aux États-Unis, Stravinski découvre une série de tableaux datant de 1735 due à William Hogarth. Le peintre et graveur anglais y démontre théâtralement les désordres auxquels peuvent conduire l’alcool et les femmes. Stravinski confie au poète Wystan Hugh Auden la tâche d’écrire un livret support d’une musique "néo-classique", c’est-à-dire consciente du passé comme de l’avenir.

Le héros Tom abandonne sa fidèle Anne Trulove pour suivre le diabolique Nick Shadow qui lui fait croire à l’héritage d’un oncle inconnu. De bordels en plaisirs vains, Tom s’ennuie et sa naïveté va jusqu’à lui faire croire en son rêve idéaliste de supprimer la faim dans le monde grâce à une merveilleuse machine à pains. Plus dure sera la chute. Une partie de cartes plus tard, Tom aliéné s’endort au son d’une berceuse d’Anne revenue ou réinventée.

Carlos Wagner voit dans le parcours du libertin celui d’un poète qui refuse la réalité matérialiste de la vie, en quête de liberté absolue. Le magnifique décor dans lequel il tourne en rond, en forme de roue de la Fortune, symbolise superbement ce cycle des hasards du temps dans lequel gagne la folie.

français

The Rake's Progress by Stravinsky, tor. 06 mar. 2012, Od (2012/2012), Režija: Carlos Wagner,, Dirigent Laurent Campellone, Grand Théâtre Massenet, Saint-Etienne, France

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