Name: The Rape of Lucretia
Start: 2017-08-19T00:00:00.000Z
End: 2017-08-26T00:00:00.000Z
Location: Carriageworks

Organization

Singer

Contralto

Anna Dowsley

Lucretia

Nathan Lay

No role specified

Celeste Lazarenko

Andrew Goodwin

Jeremy Kleeman

Simon Lobelson

Jane Sheldon

Conductor

Jack Symonds

Stage director

Kip Williams

Set designer

David Fleischer

Lighting designer

Damien Cooper

Associate Director

Elizabeth Gadsby

Costume designer

Victorian Opera

Sydney Chamber Opera

The Rape of Lucretia

Sydney City

Australia

Carriageworks

Bay 20

The Rape of Lucretia Britten

Public

Private

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Baritone

Mezzo-soprano

Bass-baritone

Soprano

Bass

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

This is where chamber opera begins: with an unforgivable crime and a hollow prayer.

For composer Benjamin Britten, the Roman tale of Lucretia’s tragic violation at the hands of the tyrant Tarquinius became the vessel for an operatic revolution. In place of grandeur and bombast, his work was taut and intimate, with only eight singers and a chamber ensemble to score their every thought and action.

Britten’s Lucretia seethes with psychological insight and desperate yearning for divinity. It is a ritual circle carved out for the noblest acts of humanity. And the most depraved.

SCO brings this pioneering work to a Sydney stage for the first time this century. Helpmann Award-winning Artistic Director of Sydney Theatre Company Kip Williams returns to SCO after his ravishing production of An Index of Metals to direct rising star Anna Dowsley (Le Nozze di Figaro for Opera Australia; SCO’s Ich habe genug) in the career-defining title role.

English

The Rape of Lucretia by Britten, čet. 24 avg. 2017, Od (2017/2017), Režija: Kip Williams,, Dirigent Jack Symonds, Carriageworks, Sydney City, Australia

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Koproducent

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Fotografije

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