Name: Un ballo in maschera
Start: 2015-12-12T00:00:00.000Z
End: 2016-03-17T00:00:00.000Z
Location: Odessa National Academic Opera and Ballet Theater

Admin

Organization

Stage director

Carlo Antonio De Lucia

Conductor

Igor Shavruk

Set designer

Natalya Bevzenko-Ziniina

Alessandra Polimeno

Chorus master

Leonid Butenko

Production Manager

Sergey Krasnykh

Singer

Tenor

Nikolay Subbota

Richard

Eduard Martynyuk

Baritone

Victor Mityushkin

Renato

Alexander Stryuk

Soprano

Anna Litvinova

Amelia

Natalia Pavlenko

Contralto

Elena Starodubtseva

Ulrica

Marina Godulyan

Ilona Skrypnik

Anastasiya Golub

Oscar

Nadezhda Sychuk

Bass

Yuriy Dudar

Silvano

Viktor Shevchenko

Sergei Uzun

Samuel

Odessa National Academic Opera and Ballet Theater

Un ballo in maschera -  (A Masked Ball)

Odesa

Ukraine

Un ballo in maschera Verdi

Public

A Masked Ball

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

"I was alone! One!... - wrote Verdi. - And in the midst of these terrible torments, I had to finish a comic opera. He did not want to write music anymore and asked the impresario La Scala Merelli to terminate his contract with him. But it was work that saved Verdi. Merelli persuaded the young composer not to despair and gave him the libretto of a new opera - Nabucco. After the success of "Nabucco", the twenty-nine-year-old Verdi found himself in the first ranks of opera composers. He worked tirelessly and premiere after premiere followed. Later Verdi will call this period of his life hard labor. During seven years (1842 - 1849), Verdi created thirteen operas, which were always successful. This period is characterized by his interest in historical and heroic themes, exceptional personalities and passions. Verdi himself directed his operas during their productions, he was generally the first to talk about the need for opera directing as such. The works, thanks to which Verdi gained world fame at the age of forty, were written during the 1850s and 1960s. It was during this period that he created operas that are still popular today: "Rigoletto" (1851), "La Traviata" (1853), "The Troubadour" (1853), "Sicilian Vespers" (1855), "Simon Boccanegra" (1857 ), "Masquerade Ball" (1859). During the next fifteen years, the composer was essentially silent. Together with his second wife Giuseppina Strepponi, Verdi returned to his estate and was mainly engaged in improving his already famous operas. In the 1870s, the last period of Verdi's work began, during which he gave the world such masterpieces as "Aida" (1871) and "Othello" (1887). Here the composer reached unprecedented heights in the field of musical means of conveying the psychology and feelings of the characters. "Genius old Verdi in "Aida" and "Othello" opens new paths for Italian musicians," Pyotr Ilyich Tchaikovsky wrote in 1888. The last - the twenty-sixth - opera "Falstaff" (1893) was the triumph of the 80-year-old composer. Giuseppe Verdi died on January 27, 1901 at the age of 88. National mourning was declared in Italy. The son of a village grocer, who was not accepted into the Milan Conservatory, rose to the top of the musical Olympus. There is not a single musical theater in the world that does not stage the operas of Giuseppe Verdi. His name became a symbol of Italian opera. Photo – Yuriy Lytvynenko The last - the twenty-sixth - opera "Falstaff" (1893) was the triumph of the 80-year-old composer. Giuseppe Verdi died on January 27, 1901 at the age of 88. National mourning was declared in Italy. The son of a village grocer, who was not accepted into the Milan Conservatory, rose to the top of the musical Olympus. There is not a single musical theater in the world that does not stage the operas of Giuseppe Verdi. His name became a symbol of Italian opera. Photo – Yuriy Lytvynenko The last - the twenty-sixth - opera "Falstaff" (1893) was the triumph of the 80-year-old composer. Giuseppe Verdi died on January 27, 1901 at the age of 88. National mourning was declared in Italy. The son of a village grocer, who was not accepted into the Milan Conservatory, rose to the top of the musical Olympus. There is not a single musical theater in the world that does not stage the operas of Giuseppe Verdi. His name became a symbol of Italian opera. Photo – Yuriy Lytvynenko His name became a symbol of Italian opera. Photo – Yuriy Lytvynenko His name became a symbol of Italian opera. Photo – Yuriy Lytvynenko

English

«Я був один! Один!… – писав Верді. – І серед цих жахливих мук я мусив закінчити комічну оперу». Він не хотів більше писати музику і просив імпресаріо Ла Скала Мереллі розірвати з ним контракт. Але саме робота рятувала Верді. Мереллі вмовив молодого композитора не впадати у відчай і дав йому лібрето нової опери – «Набуко».  Після успіху «Набуко» двадцятидев’ятирічний Верді опинився в перших лавах оперних композиторів. Він невтомно працював і прем’єра відбувалась за прем’єрою. Пізніше Верді назве цей період свого життя каторгою. Протягом семи років (1842 – 1849) Верді створив тринадцять опер, які йшли з незмінним успіхом. Для цього періоду характерним є його інтерес до історико-героїчної тематики, до виняткових особистостей та пристрастей. Верді сам займався режисурою своїх опер під час їх постановок, він взагалі першим заговорив про необхідність оперної режисури як такої. Твори, завдяки яким Верді у сорокарічному віці здобув світову славу, були написані протягом 1850 – 1960-х років. Саме в цей період він створив опери, які й сьогодні користуються незмінним успіхом: «Ріголетто» (1851), «Травіата» (1853), «Трубадур» (1853), «Сіцілійська вечерня» (1855), «Симон Бокканегра» (1857), «Бал-маскарад» (1859). Протягом наступних п’ятнадцяти років композитор, по суті, мовчав. Разом з другою дружиною Джузеппіною Стреппоні Верді відбув у свій маєток і займався, в основному, удосконаленням своїх уже знаменитих опер. У 1870-х роках розпочався останній період творчості Верді, протягом якого він подарував світу такі шедеври, як «Аїда» (1871) та «Отелло» (1887). Тут композитор сягнув небувалих висот в галузі музичних засобів передачі психології й почуттів героїв. «Геніальний старий Верді в «Аїді» й «Отелло» відкриває для італійських музикантів нові шляхи», – писав у 1888 році Петро Ілліч Чайковський. Остання – двадцять шоста – опера «Фальстаф» (1893) стала тріумфом 80-річного композитора. Джузеппе Верді помер 27 січня 1901 року на 88-му році життя. В Італії було оголошено національний траур. Син сільського бакалійника, якого не прийняли в Міланську консерваторію, піднявся до вершин музичного Олімпу. У світі немає жодного музичного театру, в якому не ставилися б опери Джузеппе Верді. Його ім’я стало символом італійської опери. Фото – Юрій Литвиненко

українська

A Masked Ball by Verdi, pi 05 feb 2016, Od (2015/2016), Režírované Carlo Antonio De Lucia,, Dirigent Igor Shavruk, Odessa National Academic Opera and Ballet Theater, Odesa, Ukraine

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