Name: Vadim Gluzman plays Prokofiev
Start: 2023-10-26T00:00:00.000Z
End: 2023-10-28T00:00:00.000Z
Location: Stadttheater Fürth

Organization

Conductor

Juraj Valčuha

Violinist

Vadim Gluzman

Violin

Stadttheater Fürth

Orchestra

Bamberg Symphony Orchestra

Vadim Gluzman plays Prokofiev

Bamberg

Germany

Konzerthalle

Furth

Vadim Gluzman plays Prokofiev: Piano Concerto No. 2 in G minor, Op. 16 Prokofiev,S (+2 More)

Public

Symphony No. 6 in B minor, Op. 74 (Pathétique Symphony)

Silent Songs

Violin Concerto No. 2 in G minor, Op. 63

Approved

Bass

Instrumentalist

Pianist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Countertenor

Mezzo-soprano

Baritone

Bass-baritone

Soprano

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

»Passion is a state of the soul.« Salvator Dali once said this – and Tchaikovsky can arguably be regarded as the embodiment of this state: He was an emotional man through and through, who often struggled with not being what society expected him to be. Even his nanny called him a »porcelain child«. His states of mind left traces, especially in his most individual symphony, which was premiered in 1893 shortly before his unexpected death. He said he had »put his whole soul into the "Pathétique«: The work outlines different stages of his life with passionate melodies as well as an orgy of bass notes – and concludes with a heartbreaking Adagio. Prokofiev, too, was regularly subject to severe hostility and left his Russian homeland after the October Revolution of 1917 – but was never really pleased with having to live in what he saw as an alien »mental climate«. Shortly before he returned, he wrote the Second Violin Concerto in 1935 during his »nomadic existence«: although it is peppered with sarcastic humour, it follows the great Romantic tradition: one biographer characterised »the almost cliché-like enchanting« gesture of the solo violin in the Andante as »soulfulness« – in which Vadim Gluzman will wallow. A contemporary example of an artist who had to leave his beloved fatherland is the eminent composer Valentin Silvestrov: he fled Ukraine for Berlin. At the beginning of our concert, we will play his »Evening Serenade« from 2002 under the baton of Juraj Valčuha – a very melancholic piece which, thanks to its contemplative limbo, seems like a memory of beautiful and fulfilling hours of times gone by.

English

»Die Leidenschaft ist ein Zustand der Seele.« Dies meinte Salvator Dali einst – und Tschaikowski kann wohl als Verkörperung dieses Zustandes angesehen werden: Er war ein absoluter Gefühlsmensch, der oft damit haderte, nicht so zu sein, wie die Gesellschaft es von ihm erwartete. Schon sein Kindermädchen nannte ihn ein »Porzellankind«. Seine Gemütszustände haben Spuren hinterlassen, besonders in seiner subjektivsten Symphonie, die er 1893 kurz vor seinem überraschenden Tod uraufführte. Er sagte, er habe in die »Pathétique« seine »ganze Seele hineingelegt«: Das Werk skizziert mit leidenschaftlichen Melodien sowie einer Orgie an Basstönen verschiedene Lebensstationen – und schließt mit einem herzzerreißenden Adagio. Auch Prokofjew litt regelmäßig unter heftigen Anfeindungen und verließ seine russische Heimat nach der Oktoberrevolution von 1917 – war aber nie wirklich glücklich damit, in einem für ihn fremden »seelischem Klima« leben zu müssen. Kurz vor seiner Rückkehr entstand 1935 noch während seines »Nomadendaseins« das zweite Violinkonzert. Obwohl es durchaus mit sarkastischem Humor gespickt ist, folgt es der großen romantischen Tradition: Ein Biograph charakterisierte etwa »den fast schon klischeehaft berückenden« Gestus der Solovioline im Andante als »Beseeltheit« – in der bei uns Vadim Gluzman schwelgen wird. Ein aktuelles Beispiel für einen Künstler, der sein geliebtes Vaterland verlassen musste, ist der bedeutende Komponist Valentin Silvestrov: Er flüchtete aus der Ukraine in Richtung Berlin. Wir spielen zu Beginn unseres Konzertes unter der Leitung von Juraj Valčuha seine »Abendserenade« aus dem Jahr 2002 – ein sehr melancholisches Stück, welches durch seinen kontemplativen Schwebezustand wie eine Erinnerung an schöne und erfüllte Stunden vergangener Zeiten wirkt.

Deutsch

Vadim Gluzman plays Prokofiev by Tchaikovsky, P. I., Silvestrov, Prokofiev, Vin 27 Oct. 2023, De la (2023/2023), Dirijor Juraj Valčuha, Stadttheater Fürth, Furth, Germany

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