Crèdits de representació
Properes actuacions Avui Endavant
Actuacions passades 2014 — Ahir
Passione Secondo Giovanni, Bach, J. S.
Orchestra Sinfonica di Milano Giuseppe VerdiCountertenor
Veure elenc i equipEl Greco Opera in three acts, Hatzinasios
Megaron Athens Concert HallIcarus + 1 rols
Veure elenc i equipMessiah (Messiah HWV 56), Händel
Orchestra Sinfonica di Milano Giuseppe VerdiCountertenor
Veure elenc i equipL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Festival d'Aix en ProvenceNerone (Nero)
Veure elenc i equipActuacions anteriors destacades
Passione Secondo Giovanni, Bach, J. S.
Orchestra Sinfonica di Milano Giuseppe VerdiCountertenor
Veure elenc i equip
El Greco Opera in three acts, Hatzinasios
Megaron Athens Concert HallIcarus + 1 rols
Veure elenc i equip
Messiah (Messiah HWV 56), Händel
Orchestra Sinfonica di Milano Giuseppe VerdiCountertenor
Veure elenc i equip
L'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Festival d'Aix en ProvenceNerone (Nero)
Veure elenc i equip
Properes actuacions
25Giulio Cesare in Egitto (Julius Caesar in Egypt), Händel
GlyndebourneNireno
Veure elenc i equipDg.15:00
Lewes, United KingdomDt.16:00
Lewes, United KingdomDv.16:00
Lewes, United KingdomDt.16:00
Lewes, United KingdomDv.16:00
Lewes, United KingdomDv.16:00
Lewes, United KingdomDv.16:00
Lewes, United KingdomDc.16:00
Lewes, United KingdomDc.16:00
Lewes, United KingdomDs.16:00
Lewes, United Kingdom
Biografia
American countertenor Ray Chenez is redefining his fach with a voice that possesses a rare combination of beauty, power and flexibility. He has the capacity to sing an unusual range of repertoire for a countertenor and captivates audiences with his embodiment of male and female roles. Opera News magazine called him one of the up-and-coming opera stars of the next generation, writing, "Ray Chenez's countertenor is bold and assertive, but also warm and luxurious. He has a natural electric presence, and his diction is precise no matter how high he sings." A 2014 George London Award winner, he has been called "luxury casting" by The New York Times, "excellent connection to the text, superb vocal control and impeccable diction" by Opera News, and a "dramatic soprano voice oozing with potent
