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Mezzo-soprano

Alessia Nadin

Singer

Artist

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Alessia NadinI am grateful that I was born and raised in a simple environment that taught me respect for rhythm, silence, words. Perhaps my love for music comes from this and from the eternal sense of disorientation. They are curious and full of amazement beginnings and perhaps in those mornings greedy for light the desire to use singing as an expressive modality grows and becomes alive in me.
I have time to correct the route: destination Venice. There waiting for me The Benedetto Marcello conservatory and a decisive teacher, Stella Silva. Then intuitive and unexpected things arrive: graduation, first concerts, the first consents and the first auditions. And roles in unforgettable productions: Mozart's Cosi fan tutti, Rossini's The Barber of Seville, Mozart's Marriage of Figaro.
And theaters full of suggestion such as La Fenice in Venice, the Haus für Mozart in Salzburg, the Palau de les Arts Reina Sofía 'in Valencia, the Caracalla in Rome, the Dante Alighieri in Ravenna, the Filarmonico in Verona, the Verdi in Trieste , the Ponchielli of Cremona, the Regio of Turin, the Grande of Brescia and many others.
Over the years I have had the opportunity to sing with Riccardo Muti in Paisiello's unexpected marriage, with Placido Domingo in Amelia at the ball at the Valencia theater and I remember with pleasure all the people who supported me such as Aslico, conductors, masters , my agent Gabriele Monici for his tireless work.
I am grateful to have explored the bel canto making it a leitmotiv or a peculiar voice, perfecting the style with Mirella Freni and Fernando Corderio Opa. I am grateful for more or less significant roles, because when you love… everything has a different color. And the work, this great Italian invention, makes me feel proud of our country and of our language so infused with "grace". I love what I do whether it's interpreting arias by Mozart, Rossini, Gounod, Donizetti, Massenet, Handel, Bellini, Strauss.
So I decided not to insert here a canonical Curriculum Vitae, which would also be available to those who request it, but to provide some visual and conceptual indications of the complexity that accompanies my work as a Mezzosoprano.
Ah, I forgot, my native roots are in Friuli, even the origin is an important sign.
My sentimental journey embraces beauty in all its forms, art, culture, spirituality. I believe in this sense that I am not very different from most people, only I have been lucky enough to do what I like and I find in this a deep sense of gratitude.

English

Essere Giovanna di Seymour è calarsi nelle trame melodrammatiche di Donizetti accanto ad Anna Bolena e a Enrico VIII alla corte di Inghilterra.E’ trovarsi da...

Video

Completed

Anna Bolena

GAZZA LADRA, G. Rossini
Ninetta Alessia Nadin

Teatro" Petruzzelli" di Bari

GAZZA LADRA

Don Giovanni

Zerlina

Cinderella

Tisbe

Tancredi

Roggiero

The Tales of Hoffmann

Nicklausse

Così fan tutte

Dorabella

Rigoletto

Giovanna

The Italian Girl in Algiers

Zulma

Dido and Aeneas

First Witch

Angelina

The Unexpected Marriage

Vespina

Norma

Clotilde

Sister Angelica

La Suora Zelatrice

Amelia Goes to the Ball

Prima Cameriera

The Magic Flute

Zweite Dame

Romeo and Juliet

Stéphano

The Marriage of Figaro

Cherubino

The Capulets and the Montagues

Romeo

Adalgisa

The Thieving Magpie

Ninetta

Francesca da Rimini

Adonella

Isaura

Othello

Emilia

Manon Lescaut

Un musico

Little solemn mass

Mezzosoprano

Rustic Chivalry

Lola

The Barber of Seville

Rosina

Cenerentola

La Fata Madrina

Marcellina

Anne Boleyn

Giovanna Seymour

No role specified

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