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Biography  Born in Australia, Allegra Giagu, made her Sydney Opera House début at eleven years old. Engaged by Opera Australia, the Australian Chamber Orchestra, and the Sydney Symphony, she stepped into the spotlight as soloist; notably during the Edinburgh Military Tattoo—Salute to Australia, which won her a place at the Guildhall School...read more
Biography  Born in Australia, Allegra Giagu, made her Sydney Opera House début at eleven years old. Engaged by Opera Australia, the Australian Chamber Orchestra, and the Sydney Symphony, she stepped into the spotlight as soloist; notably during the Edinburgh Military Tattoo—Salute to Australia, which won her a place at the Guildhall School...read more

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Repertoire (2)

 
Composer & WorkRoleProductions
Mozart
Così fan tutteDorabella1
Le nozze di FigaroLa Contessa di Almaviva1

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Photos (6)

 

Reviews (4)

 
19 June 2017www.stagenoise.comDiana SimmondsRAMEAU: ANACREAON & PIGMALION
"Rameau is a sublime master of multiple soloists and harmonies. His music is elegant yet full of colour and emotion and as sung by Taryn Fiebig, Lauren Zolezzi, Richard Anderson and Allegra Giagu in Anacreon [...] Giagu has developed into a strong and confident performer whose Wife of Anacreon is poignant and beautifully sung."
27 April 2017operachaser.blogspot.comPaul SelarWerther in Melbourne
"Dressed in mourning black, the richly centred and emotively well-calibrated mezzo-soprano, Allegra Giagu, mixed radiance with elegance and poise as Charlotte. In a woman she effortlessly showed as kind and dutiful, troubled and empathetic, Giagu's Charlotte also portrayed a love for Werther that felt real despite the picture of incompatibility. In Act III's opening aria, "Werther! Qui m'aurait dit ... Ces lettres!", in which she dolefully reads over Werther's letters, Giagu dug deep with heartfelt voice on every rise and fall and effected a quivering vibrato that mirrored a crushed inner soul - a performance highlight.

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