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Blake Friedman
Tenor
Biography Tenor Blake Friedman has been cited by the New York Times for the “plummy fullness and dusky hue” of his voice and by the New York Classical Review for his voice’s “buttery top.” He made his Carnegie Hall – Stern Auditorium debut last season singing Anatol in the quintet from Barber’s Vanessa for the Manhattan School of Music...read more
Biography Tenor Blake Friedman has been cited by the New York Times for the “plummy fullness and dusky hue” of his voice and by the New York Classical Review for his voice’s “buttery top.” He made his Carnegie Hall – Stern Auditorium debut last season singing Anatol in the quintet from Barber’s Vanessa for the Manhattan School of Music...read more
Performances
- All performances
From arts organisation / verified by Operabase
From artist / agent
m
Matinéet
Tourc
Concert From artist / agent
9 - 25 окт 2020
Cancelled
The Dallas Opera | Dallas, United States | Performances (6)
1 - 3 ное 2019
Anchorage Opera | Anchorage, United States | Performances (3)
25 мар 2018
On Site Opera | New York City, United States | Performances (1)
WP
N
2 авг 2014
On Site Opera | The Phoenicia International Festival of the Voice | Phoenicia, United States | Performances (1)
N
CP
2 - 4 май 2014
Governor / Vanderdendur / Ragotski
(Tenor / Tenor)
| Conductor: Michael Slon
| Stage director: Andrea Dorf McGray
11 - 19 янр 2014
Repertoire (12)
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Videos (3)
Reviews (3)
Blake Friedman’s full tenor, slightly dark but with a buttery top, makes him a perfectly slick Irving—he crooned nicely in “O Morning Star,” the love song he writes to woo Fanny
Plausibly romantic and funny as Don Alonso, if less so as the drunken soldier, Blake Friedman's Almaviva tended to blare at full tilt, but he relished opportunities for dimminuendos and softer dynamic effects. "Se il mid nome" proved a highlight, and he decorated his lines creatively throughout.
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